Hey everyone. Was reading this month's SOS mag and came across the following on page 123: "If you want to suggest changes or improvements to Logic, then here's your chance! The Apple development team are inviting SOS readers to send in their suggestions of what they'd most like added or changed in Logic. Email your top five suggestions (in order of preference) to: logicnotes@soundonsound.com and we'll forward your lists to the Logic team. We'll be asking them for feedback on which changes users deem most important and how these might be addressed." It seems that there is a window of opportunity here to have our voices heard. Not sure if I have just uncorked something here or not :-) Have at it. Danny Bridgens

>Was reading this month's SOS mag and came across the following on page >123: > >"If you want to suggest changes or improvements to Logic, then here's >your chance! >The Apple development team are inviting SOS readers to send in their >suggestions >of what they'd most like added or changed in Logic. >Email your top five suggestions (in order of preference) to: > >logicnotes@soundonsound.com that's part of the logic notes column nearly every month. :-) Ron Lastday, Capricorn 15's Year of the city - 2274 Carousel begins http://www.myspace.com/beepmusic http://ronwestb12.com ITMFA

--- In logic-users@yahoogroups.com, Danilo Bridgens <dumisani@...> wrote: > > Was reading this month's SOS mag and came across the following on page > 123: > > "If you want to suggest changes or improvements to Logic, then here's > your chance! > The Apple development team are inviting SOS readers to send in their > suggestions > of what they'd most like added or changed in Logic. > Email your top five suggestions (in order of preference) to: > > logicnotes@... > > and we'll forward your lists to the Logic team. > We'll be asking them for feedback on which changes users deem > most important and how these might be addressed." > I would love to see a super comping window. Select whatever regions you want to include, Issue the appropriate key command and a new window opens with the selected regions inside. Then using a process like automation you click a dot on the first segment, the region you wish to use first. Then decide your next region via some rapid auditioning process, probably looped. Draw a line from that first dot that ends at a second dot that is your second segment. Keep going until done with the entire comp region. Then go back and via a rapid drawing process specify the places where the first region transitions to the second. Have individually editable crossfade times between regions. Slip the regions as need be. Each time you select a segment for inclusion it can be independently slipped forward or backward as needed. Then finally do a special bounce that creates a single track, your comp. Bob Vandiver