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Hi All
A simple but serious question for LOGIC users...
I use downloaded samples that are 16bit and I am wondering
...when mixing with recorded audio, 24bit...
Do I Dither the 24bit Audio files to 16bit..first
Then bounce the Dithered file with the original 16bit files?
Or can I bounce both together and dither at the same time...
I remember reading dithering files twice is not too good.
For all of us that use samples in EXS24 or other samplers
And most samples are only 16bit, this is a constant concern.
How does everyone deal with this?
Midimantra
G4Mac, 512r, Motu828, EMES, LP5...
--- In logic-users@yahoogroups.com, Paul Abrahams <xcelmusic@b...>
wrote:
> Do I Dither the 24bit Audio files to 16bit..first
No.
> Then bounce the Dithered file with the original 16bit files?
No.
> Or can I bounce both together and dither at the same time...
Yes.
John Pitcairn
I have the Waves L2 Hardware Limiter and I am routing the
Master Output(1-2) through the L2 for Bit Depth Reduction
and dithering via the I/O plug-in. When I want to route
the signal back into Logic and use Logic's bounce process
for the sake of having the audio file in the computer, what
setting do I use on the Bit Depth in the bounce window so
that it does not affect or diminish what I have already
done witht the L2? In other words, if I'm sending a 24bit
signal out to the L2 and sending a 16bit signal (dithered)
back into Logic, do I set Logic to 16bit and dithering to
"none" in order to not change anything the L2 has already
done? Thank you in advance.
M-De
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>...if I'm sending a 24bit
> signal out to the L2 and sending a 16bit signal (dithered)
> back into Logic, do I set Logic to 16bit and dithering to
> "none" in order to not change anything the L2 has already
> done?
Yes.
--- In logic-users@yahoogroups.com, M-De <mattdesoulman@y...> wrote:
> I have the Waves L2 Hardware Limiter and I am routing the
> Master Output(1-2) through the L2 for Bit Depth Reduction
> and dithering via the I/O plug-in. When I want to route
> the signal back into Logic and use Logic's bounce process
> for the sake of having the audio file in the computer
As long as the bounce contains ONLY the returned signal from the L2,
all levels from the i/o plugin return level to the output fader are at
unity gain, and no further processing is being done, then you should
bounce to the same bit depth as the L2 output, with no dither. In
theory you should get an exact copy of the L2 output.
John Pitcairn
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