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Fwiw, a 7200RPM drive may not only cause more heat issues but will also
consume more power, so if battery life is an important thing for you, this
might be worth a thought as well.
In addition, you can get larger drives at 5400, which, at least to me, is a
nice thing.
Personally, I am by now using a 320GB Samsung drive (at 5400RPM) with
absolutely good results since 3 weeks. Performance figures are just as good
as on my old 160 and 250 GB drives. And it was only 75 Euros (incredible
prices for harddisks and RAM these days). So I can wholeheartedly recommend
this drive.
Regards
Sascha
------------------------------------
Hi -
Saw that digi made their leopard-compatible standalone drivers
available on june 20, but so far have only seen some thumbs down
messages on getting it to work with digi hardware and logic. Anyone
have any luck? (I'm using an 002r, so I'm interested in that in
particular.)
thanks -
Michael
------------------------------------
On 29/06/08 7:27 AM, "Sascha Franck" <S.Franck@gmx.de>
wrote:
>
> Fwiw, a 7200RPM drive may not only cause more heat issues but will also
> consume more power, so if battery life is an important thing for you,
this
> might be worth a thought as well.
> In addition, you can get larger drives at 5400, which, at least to me,
is a
> nice thing.
>
> Personally, I am by now using a 320GB Samsung drive (at 5400RPM) with
> absolutely good results since 3 weeks. Performance figures are just as
good
> as on my old 160 and 250 GB drives. And it was only 75 Euros
(incredible
> prices for harddisks and RAM these days). So I can wholeheartedly
recommend
> this drive.
>
> Regards
> Sascha
>
>
I recently had the same decision to make, and I ended up choosing the 7200
rpm drive. I was fortunate to have two identical MBP (17² 2.5 GHz) to
test,
except for the drives. I tested the biggest drive available from Apple (300
GB @ 4200 rpm) vs. the fastest drive (200 GB @ 7200).
So, I wasn¹t using a 5400 rpm drive, although my last MBP had that
drive, so
I have tried all three recently.
In my case, I found significant benefits doing things like opening projects,
copying files and saving projects. The 7200 rpm was much faster at those
kinds of tasks, and I decided that the whole computer felt much more
responsive with the 7200 rpm drive. To give just one example, saving a copy
of the ³Plaid-Faster² demo song took 138 seconds on the 4200
drive, and 86
seconds on the 7200 drive. I found that the tasks I tried ranged from 30% to
100% faster on the 7200 rpm machine.
Remember that these are disk intensive tasks, and certainly won¹t
affect
everything you do. The hard drive contents were also not identical, since I
had loaded more stuff on the 4200 rpm drive when I did the test, but I think
the results are valid enough to make me choose the 7200 rpm drive.
I don¹t regret my decision, although it means I have to be more
selective
about how much junk I put on the drive. I have ordered a small bus powered
RAID drive that I plan to use for samples etc. So, if you are storing your
songs and samples on an external drive the speed of the internal drive may
not be as important. However, I always felt my last MBP was sluggish, but
that could have been for other reasons. The new machine with the 7200 rpm
drive certainly feels more responsive at this point.
I also don¹t find that this computer runs any hotter than my last one
which
had the 5400 drive. It actually doesn¹t seem to get very hot at all, so
I
really don¹t think that is a function of the drive as much as the
general
design of the computer. Sascha¹s comment about battery life is probably
true, although I usually use the MBP plugged in.
Blair
--
blairfisher@shaw.ca
------------------------------------
Hi all,
Does the crescendo transform function work? I've searched through the
archive and on the internet (not forgetting checking the manual), but
all the methods mentioned don't seem to work. This is so infuriating -
I feel like it should be a simple thing to do, and it certainly used
to be when I was on LAW 5.5.1 (admittedly an age ago)!
Can anyone talk me through it please?
I'm on Logic 7.2, MBP Intel C2D
Thanks in advance,
Martin
------------------------------------
Hey all. Based on several positive recommendations here I just
purchased and installed Plugsound Pro. But it consistently fails
validation, and though I can force Logic to use it anyway, it's a
little annoying and disconcerting. For the moment I'm running this in
Logic 7.23 under Tiger 10.4.11. Does this plugin pass AU validation
for anybody else, or is this just a necessary evil to use it? Thanks
for any info.
------------------------------------
>> Apple yesterday released Pro App Update 2008-02. It says it's
>> recommended for Logic
>> Studio. However when I try to download it it asks for my Final Cut
>> Serial number. I don't own
>> Final Cut so does anyone know how Logic users can download it?
>
> Got it (actually half of it) yesterday via software update.
Hi all,
Do I need this update for Logic Pro 7?
Cheers
ANDREW
------------------------------------------------------------------------
---------
Andrew Harrison
Phantom Dog Music
ABN 89 306 085 735
PO Box 663
Moonee Ponds
Victoria 3039 Australia
ph/fax: 613-93757605
email: andrew_harrison@metrocs.com.au
web: www.andrewharrison.com.au
------------------------------------
hey peter,
apologies for this very late response, was out of station. see i tried doing
the same with generic controller. but the trouble i am experiencing is,
whenever i give "learn" logic is waiting for a fader or knob to be
moved and when i touch something, its recognised as pan.... whatever i do,
it shows pan... well, may be i will spend some time on it.. which forum were
you talking about, "If you are interested in LC Xmu you might want to
join the forum
there. " just give me the link please.
right now, i have plugged my n364 back into action. have to wrap up some
projects and m audio exploration costs time much!
thanks a ton for your support!
------------------------------------
i got the forum, got into it. :-) thanks!
------------------------------------
Hi everyone. This is my situation:
I have 11 drum tracks running in logic 8. theres a part of the song where
there's a break, and in this break we overdubbed some cymbals that are meant
to fade out over a beat that comes back in - so its like a puch in, and
obviously I want it to be on the same drum tracks, but the problem is that
the overhang of the cymbals is cut obviously when the beat kicks in. Can
anyone suggest a simple way of mixing the two audio files without bouncing
every drum track? fades doesnt seem to be an option...
Ainz.
On 30/06/2008, at 10:43 AM, Sean McCoy wrote:
> Hey all. Based on several positive recommendations here I just
> purchased and installed Plugsound Pro. But it consistently fails
> validation, and though I can force Logic to use it anyway, it's a
> little annoying and disconcerting. For the moment I'm running this in
> Logic 7.23 under Tiger 10.4.11. Does this plugin pass AU validation
> for anybody else, or is this just a necessary evil to use it? Thanks
> for any info.
Hi
Running No probs here on Tiger 10.4.11 on a MacIntel, with Logic
7.2.3 and Logic 8xx.
Maybe just delete all prefs for it, uninstall and make sure you have
exactly the right version. It should work!
Cheers
Clive Young
------------------------------------
On Jun 29, 2008, at 6:20 PM, Andrew Harrison wrote:
>
> Do I need this update for Logic Pro 7?
Just run software update -- it will be shown if it is recommended for
your setup.
Best,
Andy
------------------------------------
Blair Fisher wrote:
> I recently had the same decision to make, and I ended up choosing the
7200
> rpm drive. [...]
To be honest, I wasn't so much afraid of the heat issues and actually
thought about getting a 7200RPM drive myself as well, but decided against it
because I'd rather have a lot of internal drive space.
IMO, this is a sort of crucial decision - at least it's been for me. With a
200GB drive there's no way I could have all of my most used sample
libraries, a few song files and an additional Windows install available all
the time. And as I'm on the road quite often, using additional drives means
certain additional hassles (even if meanwhile I do have like 1TB worth of
bus powered 2.5" USB drives, but these simply don't perform as great).
Further, my demands (regarding both audio track counts and streamed samples)
aren't that high, so working on the internal drive alone is perfectly
possible in most situations, and whenever I need some more drive juice,
there's usually an additional power outlet available, allowing me to use an
external 3.5" drive for my audio files.
Fwiw, it seems that there's quite some not so shiny drives Apple is using as
the default drives for their Macbook (and Pro) range. My performance figures
got quite better when I exchanged the drives on both Macbooks (even if all
drives were 5400 ones), so it's not only about the nominal drive speed but
also about seek and access times (perhaps even more).
Anyways, I can run *heaps* of audio tracks from my internal Macbook drive
using Logic 8 (and OSX.5.3). In my test a while back (you may remember...) I
got around 150 stereo tracks at 44.1kHz/24bit. Streaming samples is
obviously taxing the drive a bit more (as using larger pre-buffering numbers
isn't exactly possible), I should perhaps do a test one day.
However, as said, I think it's crucial to decide how you would like to work
most of the time. For me, being able to work on battery power or with just a
single power outlet is pretty much an important deal and I certainly enjoy
to get out just the Macbook on a train, plane, bus or whatever, fire up
Logic and have everything right in place (fwiw, that's also why I will
firmly stay away from any plugins requiring dongles, and one of the reasons
why I stick with Logic 8).
Regards
Sascha
------------------------------------
Just for your information: The folks who did the UVI engine for Plugsound
Pro are just developing a new engine. The engine itself is free and, from
what I gather at least, will already load the Plugsound Pro banks.
It's still in beta stage but seems to be working rather fine in Logic so
far. You can get the public beta here:
http://www.uvisoundsource.com/
(also makes up for quite a nice, free REX player - most likely the best
there is)
Regards
Sascha
------------------------------------
thanks to everyone who responded to this question.
i was looking at this drive: http://eshop.macsales.com/item/Hitachi/0A57547/
which claims to NOT run any hotter...
------------------------------------
Steve
Thanks for the suggestions. I'll try them out (particularly powering up the
interface separately)
Keeping the cables totally separate isn't really an option but powering from
a different socket is.
The earliest I can try it out is on Saturday. But I'll let you know.
Jacek
--- In logic-users@yahoogroups.com, "Ainsley" <forums@...>
wrote:
>
> Message posted by Ainsley <ainzmuzik@...>:
>
> Hi everyone. This is my situation:
>
> I have 11 drum tracks running in logic 8. theres a part of the song
where
> there's a break, and in this break we overdubbed some cymbals that are
meant
> to fade out over a beat that comes back in - so its like a puch in, and
> obviously I want it to be on the same drum tracks, but the problem is
that
> the overhang of the cymbals is cut obviously when the beat kicks in.
Can
> anyone suggest a simple way of mixing the two audio files without
bouncing
> every drum track? fades doesnt seem to be an option...
>
> Ainz.
>
Hi,
Ever hear of non-linear editing? That's ewhere you can keep the additional
overdubs on
their own track, copy and paste the plug in processing, and leave the cymbal
decay that
you need after the other tracks come back in, so it sounds natural.
So, keep the overdubs on their own tracks... you do not need to
"bounce" or "mixdown"
the drum tracks at all.
Cheers
------------------------------------
> Personally, I am by now using a 320GB Samsung drive (at 5400RPM) with
> absolutely good results since 3 weeks. Performance figures are just
> as good
> as on my old 160 and 250 GB drives. And it was only 75 Euros
> (incredible
> prices for harddisks and RAM these days). So I can wholeheartedly
> recommend
> this drive.
I did exactly the same two weeks ago. Replacing the disk of a MBP is
not for the faint of heart, though. I used the pix on ifixit and
extremetech.com as a guide.
I also upped the RAM in my MBP from 2 to 3 GB for €35. When I bought
the MBP18 months ago, 3 GB RAM was something like €400 extra...
Another nice upgrade: an acryan esata card. Works great in X.5.3, I
can boot/mount/unmount on the fly etc. esata is fast!
Standard fan levels have risen a bit, but the MBP is stil much quieter
than my old G5.
One thing left to do: replacing the optical drive. The builtin
Matshita one is getting temperamental. Unfortunately, there's not much
choice in replacements that will fit in a MBP.
Best,
Zip
------------------------------------
--- In logic-users@yahoogroups.com, "Ainsley" <forums@...>
wrote:
>
> Message posted by Ainsley <ainzmuzik@...>:
>
> Can anyone suggest a simple way of mixing the two audio files without
bouncing
> every drum track? fades doesnt seem to be an option...
I'm not sure I understand the question, but it still sounds like a 'yes'
answer.
The only time you can't mix relative to something else is when the two
things you want to
mix are contained within the same audio file. If all of this stuff you
mentioned is running
live, and is separated to some degree (the drum tracks VS the track with the
cymbal at
least), you may want to automate the volume control of each.
If you want to control the volume of all drum tracks at once VS the cymbals,
change all the
drums' outputs to a Bus to collect them there. By default each drum track
will have its
output set to 'Output 1-2' - change all of those to 'Bus 1', for instance.
Now, automate Bus
1's volume and you can fade all drums in or out at once as a group. By
drawing a near
vertical line in the volume automation you can pretty much cut the volume on
or off in an
instant as well (this may be relevant for your cybal hangover problem), or
if you want Logic
to make such a volme cut neatly and consistently, maybe automate the 'Mute'
control on
and off at the relevant points, instead of using the volume graph.
- Wade
------------------------------------
On 30 Jun 2008, at 12:59, jacek szulecki wrote:
> Message posted by jacek szulecki <jatsa@interia.pl>:
>
> Steve
>
> Thanks for the suggestions. I'll try them out (particularly
> powering up the interface separately)
>
> Keeping the cables totally separate isn't really an option but
> powering from a different socket is.
>
> The earliest I can try it out is on Saturday. But I'll let you know.
>
> Jacek
Keeping the cables seperate is just something to test, if it is as
simple as that its always annoying to spend hours barking up the
wrong tree :)
------------------------------------
On 30.06.2008, at 05:35, Manu Ramesan wrote:
> i tried doing the same with generic controller. but the trouble i
> am experiencing is, whenever i give "learn" logic is waiting
for a
> fader or knob to be moved and when i touch something, its
> recognised as pan....
Are you talking about LC Xmu? With this software you don't use
Logic's learn function unless you define custom commands.
> ... which forum were you talking about, "If you are interested in
> LC Xmu you might want to join the forum
> there. "
http://opuslocus.net/forums/
::::::::::
Peter Ostry
------------------------------------
Can
anyone suggest a simple way of mixing the two audio files without bouncing
every drum track? fades doesnt seem to be an option...
Ainz.
=============Mute tracks you don't want bounced.
--
_
_________________________
View Larry's videos at:
http://www.youtube.com/profile?user=skycathedral
_________________________________________
------------------------------------
Do realize that overheating and battery life is the real issue here.
A 7200 drive will sap your battery faster. But the serious issue is
overheating. Even a 5200 rpm drive will overheat and fry your
computer if you're doing a lot of tracks. I never advise anyone to do
more than 12 tracks of 24 bit audio on a laptop drive. Remember, it's
not just the drive that will overheat...you can easily fry your CPU/
motherboard...and that's a total drag. If you add a 7200 drive and
are doing 16 tracks or bettter in 24 bit, I say you're looking for
trouble.
Mark L.
A proven record of:
"Innovation, Vision, Results."
http://www.markedwardlewis.com
http://www.lemmediaproductions.com
http://apps.markedwardlewis.com/Blog/
------------------------------------
At 12:02 AM -0500 6/25/08, Alexander Chen wrote:
>Message posted by Alexander Chen <alex@carbonatedjazz.com>:
>
>Is it possible to send to a bus "pre" insert effects? The
"pre" option for
>sends only Bus sends without the panning and level information, but it
still
>processes the inserts/eq.
>
>Basically, I have my individual drum samples (snare, kick, hat). I am
>sending them all to one Bus Send to simulate a single "Room
mic." So I want
>to send them completely DRY to this "room mic" bus without any
individual
>compression/EQ. However, I would like to apply individual compression/EQ
to
>each sound for a simulated "close mic."
>
>I found a workaround, where I output each EACH snare/kick/hat to its own
bus
>object where I apply effects, but it's cluttered. Seems like there
should be
>a cleaner way.
I don't know if you are going to be able to get around this in a more
elegant fashion. The new Metric Halo Console allows you to do just
this, by having the sends get placed in inserts. It's especially nice
for creating monitor mixes that can have channel strip effects or not.
I know this doesn't help, though.
Edwin
--
Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin
http://www.cafemontalban.com Location Recording Services
------------------------------------
At 7:07 AM -0500 6/25/08, humuk wrote:
>Message posted by humuk <jack@hum.co.uk>:
>
>Thanks for the reply.
>
>I'd actually be running Logic on 2 desktop Mac's - I can't really
>understand why they would allow you to use it on a laptop and
>desktop simultaneously but not on two desktops. It's Apple, maybe
>that's the answer. I remember having to buy two copies of Logic 7
>so I could run them on 2 desktops, so I guess I have to shell out
>for another Logic 8 upgrade - we can't really work with having one
>Mac disconnected from the network.
>
You can't run it legally on more than one computer at a time. They
allow two installations because they recognize that it is handy to
have it either on the laptop or desktop at different times, but your
license is really for only one copy of Logic.
Edwin
--
Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin
http://www.cafemontalban.com Location Recording Services
------------------------------------
----- Original Message -----
From: mark edward lewis <mark@markedwardlewis.com>
Date: Monday, June 30, 2008 9:36 am
Subject: [LUG] Re: 7200rpm HD in a macbook pro with logic?
To: logic-users@yahoogroups.com
> Do realize that overheating and battery life is the real issue
here.
> A 7200 drive will sap your battery faster. But the serious issue
> is overheating. Even a 5200 rpm drive will overheat and fry
> your computer if you're doing a lot of tracks. I never advise
anyone
> to do more than 12 tracks of 24 bit audio on a laptop drive.
Remember,
> it's not just the drive that will overheat...you can easily fry
your
> CPU/motherboard...and that's a total drag. If you add a 7200 drive
> and are doing 16 tracks or bettter in 24 bit, I say you're looking
> for trouble.
>
> Mark L.
This is serious stuff. Have you had this happen to you, or do you know
anybody this has actually happened to? This is the first I have heard of
total computer destruction from working with too many tracks on a MBP. Can
anybody else confirm this?
Blair
------------------------------------
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