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--- In logic-users@yahoogroups.com, drumsvibes@... wrote:
>
> Make sure the person you are buying from provides you with the newer
USB dongle now
called an XSkey. A copy of Logic without an XSkey is useless.
>
> What kind of dongle do you already have?
>
> Ignore this if this has already been discussed. I am just coming in the
middle here.
>
no problem drumsvides, nice to have your input.
Im using a blue one circa 2003 that came with Logic Gold 6. I need a newer
dongle? the
upgrade doesnt come with a dongle.
--- In logic-users@yahoogroups.com, "Guy" <guypersonal@...>
wrote:
> So if I were able to buy the upgrade second hand I would need the
previous owner to
> somehow transfer his ownership of the licence to me so that the
upgrade appears in my
> dongle.
This to the best of my knowledge is not possible with the XSkey.
kind regards
Mark Cahill
> --- In logic-users@yahoogroups.com, "Guy"
<guypersonal@> wrote:
>
> > So if I were able to buy the upgrade second hand I would need the
> previous owner to
> > somehow transfer his ownership of the licence to me so that the
> upgrade appears in my
> > dongle.
>
--- In logic-users@yahoogroups.com, "markdvc2002" <mark@...>
wrote:
>
> This to the best of my knowledge is not possible with the XSkey.
Yes, I think this is the missing part of apple's explanation. It should be
clearer on their
site, but the guys here have explained this to me based on just thinking
about the
practicality of it all.
Cheers
zidzidane wrote:
> Anyone noticed the current trend in DAWs is to have a non-linear and
> single
> screen interface like Ableton Live/Tracktion/Project 5.
How are they non-linear? I mean, I can understand the statement for Live,
but Tracktion has everything I'd call linear.
> I strongly suspect Logic 8 will follow that route.
If so (specially regarding the single screen aspect), then good bye. If
there's one thing speeding up my workflow inside Logic (and partially
Cubase, too) it's the option to have various, switcheable screen layouts.
Also, only multiple screen hosts make working with differently sized
monitors possible (something absolutely impossible in, say, Tracktion).
I suspect many folks to leave Logic if they'd indeed take one of the most
excellently implemented features away - the top-class handling of multiple
windows and screensets that is.
Regards
Sascha
--- In logic-users@yahoogroups.com, "mt100uk"
<miketaylor100@...> wrote:
> Ok this is getting confusing! So I'm going to ask some questions.
>
> Question 1; Do you have a USB (xskey) and is it either blue or white
> Question 2; What version (if any) of logic do you have already
> Question 3; What is the person you're buying it from offering (ie from
version 'what' to
> version 'what') and is he offering a key.
>
> It is very unlikely that, once used to upgrade an xskey, that there is
*any* value in an
> upgrade pack. ie if the person you're buying from has used the upgrade
on his xskey,
the
> number/code is absolutely useless. If you think about it, there is no
way for apple to
> remove an upgrade from an xskey (unless they go to this guys house,
which is unlikely)
so
> to them, its like a chocolate bar thats already been eaten.
Sorry if its confusing, I promise Im doing my best !! :O)
OK, Q1: = yes, a blue USB key cira 2003 that came with Logic Gold 6
Q2 = Logic Gold 6, Ive also upgraded to 6.3.1 but cant go higher as the last
upgrade (I
understand) was for Logic Pro only (6.4 something)
Q3 = he is offering Logic Pro 7.2 UPGRADE for Logic Gold 6. Its around
£200 new.
Yes, understand the logic about getting the key from the dongle but had it
not been for
apple's web page saying you could do it, I wouldnt have asked the question
here.
Ive asked the seller the same question and he originally said 'get a licence
off of the
Internet, its not hard' which didnt fill me with much confidence so I looked
on the apple
site and saw that you are allowed to transfer your ownership to another.
Having said this, and only now as I write this given your description of the
logic of trying
to remove a key from a dongle I now suspect that Apple is saying, you CAN
sell your
licence, but ONLY via the dongle, so, even though the dongle does not come
with the
upgrade, the guy is going to have to sell the dongle too, which he wont, so
he will have an
issue on his hands.
So, I think, its time to look at other routes to cut costs on my studio
upgrade :o)
thanks to all for your support on this, it was an interesting discussion and
I hope it helps
others who are offered a 2nd hand piece of software (particularly an
upgrade) but with no
dongle.
I do have to say that Im a fan of the dongle, Ive had to reload everything
on my G4
recently and everything had to have re-registrations which were not all
easy, except for
the logic studio stuff which was all fine, dongle just sat there waiting for
software to be
re-loaded. :O)
Thanks once again, I really appreciate all your contributions here to help
me get to this
point.
Co
--- In logic-users@yahoogroups.com, Rohan De Livera <titus1@...>
wrote:
>
> this might help
>
> http://www.sveinbjorn.org/texttomp3
>
If you'd rather record the voice to an AIFF file, try this one that I use,
which is also free -
Orator
http://homepage.mac.com/dougeverly/orator.html
On 29 Jun 2007, at 10:57, Sascha Franck wrote:
> If so (specially regarding the single screen aspect), then good
> bye. If
> there's one thing speeding up my workflow inside Logic (and partially
> Cubase, too) it's the option to have various, switcheable screen
> layouts.
> Also, only multiple screen hosts make working with differently sized
> monitors possible (something absolutely impossible in, say,
> Tracktion).
> I suspect many folks to leave Logic if they'd indeed take one of
> the most
> excellently implemented features away - the top-class handling of
> multiple
> windows and screensets that is.
>
> Regards
> Sascha
>
Absolutely. Switcheable screen layouts is what makes Logic (et al.)
so powerful. If this changes it will have to be pretty darned amazing
for me to continue to use it.
I find Tracktion and Live (both of which I own) (et al.) a bit too
orientated towards the "instant gratification" crew for me.
Rewiring
Live into Logic is my preferred option.
Paul.
--- In logic-users@yahoogroups.com, "Guy" <guypersonal@...>
wrote:
>
> Having said this, and only now as I write this given your description
of the logic of trying
> to remove a key from a dongle I now suspect that Apple is saying, you
CAN sell your
> licence, but ONLY via the dongle, so, even though the dongle does not
come with the
> upgrade, the guy is going to have to sell the dongle too, which he
wont, so he will have
an
> issue on his hands.
>
> So, I think, its time to look at other routes to cut costs on my studio
upgrade :o)
>
> thanks to all for your support on this, it was an interesting
discussion and I hope it
helps
> others who are offered a 2nd hand piece of software (particularly an
upgrade) but with
no
> dongle.
Hi, your blue xskey is fine (hey its what i have) Its probably best to get
the upgrade new, it
is quite a bit of cash, but you do get lots for the cash. You get all the
instruments and also
you'll get the crossgrade (intel compatability.) I don't know what apple
will do in the future
about upgrades but as it stands at the moment its a great deal. I got
upgrades from
6.xGold -> 6.xPro -> 7.0 -> 7.2 all of these were paid, and would
probably cost about
twice as much.
Mike
No, I installed Logic Pro and all the loops directly off the disks.
Chris, can you tell me how you batch converted your problem files?
And again, is there any way to get a list of all apple loops that are
in the browser?
That's the big problem- I need to do a separate browser search for
all loops with a similar name
as I go thru each folder - is there any better way? I don't
understand why
the browser won't let you see a list of every loop in one window.
David Wilson
Brandeis Theater Company
Brandeis University
Waltham, MA
I forgot to mention Garageband has essentially a single layout (although you
can load AU plug-ins in separate screens), and since Garageband is developed
by the same people who make Logic, in order for there to be some sort of
coherence between the products I expect Logic to follow the same designs.
With regards to the workflow of a single screen layout - I know many
producers who think Garageband has a better workflow than Logic, and
actually start their projects in Garageband, and then move to Logic Pro for
final adjustments and mixing. (eg. some of the Mike Shinoda/Linkin Park
stuff actually incorporate obvious garageband loops). I am sure the
developers have have thought of a way to accommodate users who have two
screens (although in my opinon, you don't really need two as the current LCD
screens made by Apple are huge).
Whats going to be interesting is whether they just blatantly copy Ableton
Live's interface (like Cakewalk did with Project 5) or develop something
entirely new.
HI George thanks for this, but my setup assistant doesnt work via the File
menu. Im wondering if there is an alternative route to starting this up?
thanks
Guy
www.f4b.com
ah.. found the LogicSetupAssistant.pkg but it tells me "there was an
error installing the software, Please Try Installing again" ... Im not
sure what Im expecting to install, I just wanted to re-discover the plugins
?
thanks for your help
Guy
Hey all,
I just read an interesting little article on the net, found at the following
URL:
http://www.mindspring.com/~mrichter/dynamics/dynamics.htm
It deals with how people seem to be getting louder in the mix and therefore
losing sound quality.
I know I've been guilty of this in the past too, but I hope I've refined my
mixing a little anyway. It's good to keep in mind in any case, as I can see
where the more you add to the mix, the more you're at risk of clipping the
thing.
Here's a two-prong question though: When using digital instruments, and
MIDI, there's no wave form. It might sound like a dumb question, as I assume
all of the samples are well and truly NOT clipped at the get-go, but first
of all, is it even possible to clip a sampled sound in a mixdown? And, if
so, is there a way to 'see' you're going to clip the mixdown before you
actually bounce the track? With live instruments, you can see when you clip
in the wave... with MIDI, how can you know?
While I'm here, does anyone know of a good thread/site dealing with this
sort of thing (i.e. the art of mixing)?
All the best,
m.
Hello everyone, I have two dumb questions, I've noticed on different online
seminars that when recording audio tracks the actual audio regions have
different colors than the ones I have on my computer which came by default
with the software (I currently have a dark pink which I hate) Does anyone
know how to change these colors?
The second question is in regards to audio tracks, I've noticed in some
videos and online seminars, when recoding an electric guitar for instance,
there is always an "electric guitar" symbol on the actual track or
a drum
set if your recording a drumset. Can enyone please explain to me how to get
these icons to match what's recoded in my tracks?
Thanks in advance guys!
--- In logic-users@yahoogroups.com, "zidzidane" <forums@...>
wrote:
>
> With regards to the workflow of a single screen layout - I know many
producers who
think Garageband has a better workflow than Logic, and actually start their
projects in
Garageband, and then move to Logic Pro for final adjustments and mixing.
(eg. some of
the Mike Shinoda/Linkin Park stuff actually incorporate obvious garageband
loops). I am
sure the developers have have thought of a way to accommodate users who have
two
screens (although in my opinon, you don't really need two as the current LCD
screens
made by Apple are huge).
>
> Whats going to be interesting is whether they just blatantly copy
Ableton Live's interface
(like Cakewalk did with Project 5) or develop something entirely new.
>
To be honest If they did this it would be a huge disappointment to me and (I
suspect) quite
a few others using Logic at the moment. In my experience, most of the people
who have
problems with the multiple windows paradigm simply haven't got to grips with
screen-
sets. I love live, yet even on 2 19-inch TFTs (which it won't use properly)
I can't get enough
channels on the screen if i want to see all the requisite parameters or the
browser and not
being able to see a midi sequence, the software instrument and audio fx at
the same time
is so annoying. I'd hate to see a live style all-in-one window design in
logic, this may suit
for the reduced function set of something like garageband, but there is too
much going on
in logic. I wouldn't mind there being the option for this but if this was
the ONLY way it
would be a nightmare for me. Oh yeah and IMHO one big screen sucks compared
to
multiple smaller screens (and they're sooo much cheaper!)
Mike
zidzidane wrote:
> (eg. some of the Mike Shinoda/Linkin Park stuff actually incorporate
> obvious garageband loops).
You can use Apple Loops in Logic as well, so that doesn't say anything.
> I am sure the developers have have thought of a way to accommodate
users
> who have two screens
> (although in my opinon, you don't really need two as the current LCD
> screens made by Apple are huge).
I won't buy any overpriced Apple displays just because Logic may probably
not support the current window handling anymore.
Besides, I'm mainly working on mobile machines and the maximum resolution
I'm getting with an external monitor hooked up to my Macbook is 1280x1024,
defenitely not enough in case it'd be my only monitor.
> Whats going to be interesting is whether they just blatantly copy
Ableton
> Live's interface (like Cakewalk
> did with Project 5) or develop something entirely new.
Well, it's not going to be interesting for me. If they change the brilliant
window/screen handling in favour of something not allowing me to work the
way I do since almost a decade, they'll lose a customer. It's that easy.
After all, the way Logic treats windows and screensets has been one of the
key reasons I switched to it from Cubase back in the days. Removing such a
key feature (and I'm sure it's a key feature for many Logic users) will only
be one thing: Ridiculously stupid.
Regards
Sascha
--- In logic-users@yahoogroups.com, "Martin" <forums@...>
wrote:
> Message posted by Martin <machei@...>:
> Hey all,
> I just read an interesting little article on the net, found at the
following
> URL:
> http://www.mindspring.com/~mrichter/dynamics/dynamics.htm
> It deals with how people seem to be getting louder in the mix and
therefore
> losing sound quality.
> I know I've been guilty of this in the past too, but I hope I've
refined my
> mixing a little anyway. It's good to keep in mind in any case, as I can
see
> where the more you add to the mix, the more you're at risk of clipping
the
> thing.
> Here's a two-prong question though: When using digital instruments, and
> MIDI, there's no wave form. It might sound like a dumb question, as I
assume
> all of the samples are well and truly NOT clipped at the get-go, but
first
> of all, is it even possible to clip a sampled sound in a mixdown? And,
if
> so, is there a way to 'see' you're going to clip the mixdown before you
> actually bounce the track? With live instruments, you can see when you
clip
> in the wave... with MIDI, how can you know?
> While I'm here, does anyone know of a good thread/site dealing with
this
> sort of thing (i.e. the art of mixing)?
> All the best,
> m.
Hi,
I can tell you what I do to MIDI performances:
I PRINT them to an audio file, after they are finalized, ie there is no more
editing to the
performance. This will then get you a waveform, and you can then tell how
loud it "really"
is. i usuallly print MIDI to audio and leave 4-6dB of headroom in the file,
in case I want to
use further processing down the road.
Besides, ther is ALWAYS a waveform when using MIDI, you just are hearing it
and not
seeing it, that's all. I think you are wanting to see a a waveform as in an
audio file
waveform. Printing it will do this for you.
Yes, you can clip ANYTHING during mixdown. Just like being able to clip
ANYTHIGN during
recording as well. You just have to be mindful of your levels, that's all.
Here's how you can tell something is clipping": It will sound
DISTORTED, because, well,
that is what clipping IS. If you cannot hear the clipping, then RUN to a
doctor and get your
ears checked ASAP.
Cheers
Hello everyone,
I currently use a Macbook Pro 2.16ghz, 2gb, 120gb, 15.4in, Lacie EXT HD
250gb Firewire, and Logic PRO 7.2. I recently sold an M-Audio 410 to upgrade
to a better interface with more inputs (at least 8). I'm looking at these
three:
MOTU 8pre / Presonus Firepod / Focusrite Saffire Pro 10 i/o
They all seem to be pretty good, any suggestions as to which of these would
be the best choice considering my set up, if price isn't an issue? (I don't
want to spend any more than $550.00 though)
Thanks in advance guys!
Print to an audio file?!
Good god, I never even thought of this before. Thank you so much for that
little gem of advice. I will certainly be trying it. Can't wait to get back
home to Logic to give it a go.
Cheers, mate!
m.
Hi
Rohan wrote (re: subject):
>this might help
>
>http://www.sveinbjorn.org/texttomp3
>
Thanks, very elegant, it worked fine.
Although it still seems there should be a way to redirect OS
'text-to-speech', which I assume to be a part of Core Audio, and have it
show up as a record input in Logic; but maybe there isn't.
Steven Rowat
On Jun 29, 2007, at 12:49 PM, Steven Rowat wrote:
> , which I assume to be a part of Core Audio, and have it show up as
> a record input in Logic; but maybe there isn't.
>
Audio loop-back seems to be the only option for sounds generated on
the computer running logic, whether soft-synth or os sounds.
sigh.
Bill
Having just upgraded to a speedy new system (Quad Core Mac Pro, Apogee
Symphony card
and Rosetta 800 converters) I thought latency I had chalked up to my old
system would be
things of the past. However, I am still experiencing issues, so rather than
throwing up my
hands in ignorance, I figured (actually I know) someone here can shed some
light on this.
Issue #1 : I take a virtual instrument track (for example BFD drums) which
I bounce down to
an stereo audio file. When I import that audio file at the same location
in the timeline as the
original virtual intstrument and play both, they are not perfectly in sync.
Why? Other than
using Logic's awkward audio file editing tools to move the file into sync,
how can I prevent
this nasty problem from occuring? Is there some setting.
Issue #2: I have 4 auido tracks all in-sync. Then on one track I add a
UAD-1 plug-in (say an
1176 and neve eq) now how can I be assured track 1 has maintained the same
sync as prior
to adding these UAD plugs?
On my new sytsem, I am not quite sure where all my core audio setting should
be set (I
deferred to the techs from Sweetwater, where I bought the system, to make
these
adjustments.) What setting helps the system compensate for plug-in latency?
Since I always chalked up an latency issues to my old system running beyond
its capacity, I
accepted the resultant latency. But now, I can longer accept the results.
Any advice? Thanks
Message posted by zidzidane <zidzidane@yahoo.com>:
> Anyone noticed the current trend in DAWs is to have a non-linear
> and single
> screen interface like Ableton Live/Tracktion/Project 5.
>
> I strongly suspect Logic 8 will follow that route.
What if it's released at an arbitrary time in between trade shows
with little fanfare, and it's not radically different from Logic 7?
How silly would anyone feel then?
Nick Batzdorf, editor/publisher
Virtual Instruments Magazine
www.Virtualinstrumentsmag.com
1-877 VImagzn (846-2496)
+1818/905-9101, cell 590-9101
On Jun 29, 2007, at 6:32 AM, guy lewis wrote:
> HI George thanks for this, but my setup assistant doesnt work via
> the File menu. Im wondering if there is an alternative route to
> starting this up? thanks
>
> Guy
>
> www.f4b.com
Dang.. sounds like you might have to do a reinstall of Logic. I have
done allot of private Logic support and have never once heard of this
problem.
George Leger III
________________________________________________________
For Logic Pro / Express tutoring and instruction, either in person or
by phone, contact me offline at:
http://www.utopiaparkwaymusic.com/services.html
Music is the best (Frank Zappa)...
>What if it's released at an arbitrary time in between trade shows
>with little fanfare, and it's not radically different from Logic 7?
>How silly would anyone feel then?
>Nick Batzdorf, editor/publisher
>Virtual Instruments Magazine
>www.Virtualinstrumentsmag.com
>1-877 VImagzn (846-2496)
>+1818/905-9101, cell 590-9101
I would paste a dangerously witty comment, but I am too busy reading
your new magazine!
FoKuS... on the music
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