--- In logic-users@yahoogroups.com, "Trevor Gilchrist" <trevor@...> wrote: > > Hi. > > Has anyone ever put together a course/ a book/ a website that brings together all the learned > information and techniques for working with video in Logic Pro? I'm talking about the sort of > advice that would help someone (me) looking to do more film composing. Obviously it's > straightforward to open a movie, but the whole quagmire of tempo changes; locking to > SMPTE; dialogue latency; drop-frame vs non-drop; offset preferences; Logic quirks etc etc > etc... > > I assume a lot of pros use Logic successfully in this arena, though many seem to swear that > DP is better for this. > > Just wondering if there's a go-to resource for getting to the meat of it. > > Many thanks in advance. I have been using Logic for more than 5 years, and I think that the biggest problem with it is this issue that is being discussed. Say you have a few cues on a reel, and you change the tempo on the first one, if you lock smpte time for the other cues on the reel, then they are out of sync with the beat grid. Not to mention tempo changes are all off. One of my friends who uses dp says that you can isolate cues, so that tempo changes at earlier parts of the project do not affect later cues. Why doesn't Logic integrate a system like this? Where can I suggest this to the makers of logic? Film scorers would use this ability constantly, it would be so useful. I know I would. E