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On 01/06/2006, at 9:19 PM, HKC wrote:
> That was my point, I was just kidding. If the guitar can just stay
> decently
> in tune anything goes if the player is any good. He usually comes
> up with a
> part that works on that particular guitar and in my point of view
> there is
> no simple answers to guitar sound. A virtual amp with a Squire can
> be just
> what the doctor ordered in some scenarios.
> I read that Neil Finn (Crowded House) only used guitars picked up
> cheaply in
> pawn shops during the Woodface sessions because he was tired of all
> the
> conventional sounds and that turned out pretty well.
> I have many great (and expensive guitars) but I often use a cheap
> Danelectro
> for certain jangly rhythm sounds because it just does a very good
> job (and I
> do have a Ric 330). For those very clean jangly sounds I often use the
> Guitar Amp Pro because I like the sound of it and the ability to
> change the
> sound if I need a little more or less ie gain. I have a 1961 Vox
> AC30 and
> and 1966 Super Reverb which of course are great amps but in some
> cases the
> virtual amp is just as good (or, dare I say it, better).
I agree with all of this. The main guy I get for most of my sessions
also has a Mesa Boogie silver metal pre amp pedal thing that really
is incredible. Don't know the model number but the 3 band eq - very
simple high, mid, low, - is so sweet and can get such a huge range of
tones from it. I just always end up preferring some air moving around
captured with a mic over a simulator. About the only time I find a
simulator useful is if I need a REALLY big dirty power sound so I get
a couple of passes with the amp and then maybe a pass or two with the
simulator so the sounds are more different to get it bigger...
:::::::::::::::::::::::::::::::::::::::::::::::::::
Paul Najar
Jaminajar Music Production
www.jaminajar.com
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