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From: Per Boysen <per@...>
Date: Wed, 31 Mar 2004 at 4:45:02 PM
Subject: Re: [LUG] the future of bouncing/voodoo
Message #160659
This is a reply to #160655.
On 04-03-31 23.53, "Hans Hafner" <hanshafner@...> wrote: > Again, I thought Logic was fine, but when I started mixing on the MIO > all of a sudden my reverbs had depth (I use one separate master for > the reverbs) and also as soon as I move a piano part away from the > drums , both of them sound better. And yes, I do not use any FX on > the masters themselves! > > Cheers and good night > Hans My experiences with my new RME Multiface are similar to Hans. The same mix sounds better when distributing used busses to 18 outputs and re-recording digitally over RME S/PDIF to a 24 bit stereo file. This file is then dithered to 16 bits and given a careful "mastering" treatment. I'm comparing this to my old way which was to route used busses to one Logic output, apply the carful mastering treatments there and bounce to a 16 bit file. When listening back to the two 16 bit files on an audio cd the RME summing method sounds better to me. I don't have the time, knowledge or interest to discuss it by any technical means. If it sounds good is good :-) Best wishes Per Boysen (Digital Voodoo Logician) -- www.boysen.se www.looproom.com
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