|
Forum Index | Read LUG: Policy/Rules Messages Threads Digests | Post New Message | Search!
--- In logic-users@yahoogroups.com, "mikekiraly1"
<MIKEKIRALY1@C...> wrote:
> Hi everyone,
>
> Currently using Logic 6.1 on a DP800 G4 and a MOTU 828. I would like
> to hear opinions and experiences on these two setups for working in
> Logic: Either buying a Mackie Control and a second 828 and running
> all of my inputs and outputs through the interfaces exclusively or
> buying a Yamaha 01V96 and continue mixing externally, albeit with a
> considerable amount more convenience then with my Mackie 1604. I can
> see advantages to both scenarios. The Mackie Control/828 option seems
> to be a bit more future proof, as I can always add more
> expanders/interfaces if my system expands, whereas the 01V96 can't
> upgrade it's in's and out's too much more (and I'm already close to
> the limit). Also, going to an internal setup seems like it would tame
> the cable monster slowly growing behind my console desk. However, the
> 01V96 does have some great features, and I would be able to mix
> externally with recall, and there has been a lot of discussion lately
> on the benefits of summing channels outside of Logic (or any other
> DAW for that matter). If anybody would like to comment on there
> experiences, I would really appreciate the input. You can email me
> privately if this seems like an OT thread.
Quite strongly I recommend going purely the computer route. Here are a few
good
reasons:
1. All mix data is automatically saved into a song. You don't have to
remember
much of what you do to keep your mix always sounding like that. If you move
an eq,
it's saved in the song, if you automate a fade in-- the automation view lets
you edit
the fade right on top of your waveform. If you like to automate FX musically
(i.e.
popping in a tape delay on the last snare hit in bar four, then pop it out
for the rest of
the pattern) It's all there saved in your song.
2. Access to the finest EQ/compressors available. These days developers
aren't
coming out with new hardware compressors- it's all software for the most
part. Plus
the things that are available- bomb factory, UAD1, waves, are OUTSTANDING.
It
always surprises me how wildly different plug-ins can sound. And you can use
them
musically-- you can use a waves C1 and make it sound extreme- or use a rcomp
for
a gentle feel. It's like having a choice of microphones, sometimes the high
end
neumann is what you need to pick up every nuance- sometimes the shure SM58
is
the best choice. Computer based mixing allows the same variety in mixing by
using
different eqs and so forth.
3. No real limit to tracks/channels etc. Yes there is a limit, but it's so
huge that if you
were regularly encountering it as a limitation it would probably be just as
easy to buy
another computer and link them.
4. Expandability- future proof like qualities like you mentioned in your
post.
Now, one thing you may want to consider is getting a faster computer or a
Powercore/UAD1. DP800 is cool, but as you do more and more mixing on the
computer you'll find between soft synths and plug-ins you may need more
horsepower. If you use the powercore or UAD1, you'll get that additional
horsepower
for plug-ins. (Same goes if you jump to the G5)
Hope this helps you make your decision!
_________________________
Erik J. Martin
773.972.6136
http://www.soundanswer.com
Forum Index | Read LUG: Policy/Rules Messages Threads Digests | Post New Message | Search! © 1994-2008, All Rights Reserved. |