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A decent workaround is to assign an arrange window track to the bus you want
to
automate. Insert a blank region with the pencil and extend to the duration
of the track.
Turn on the blue region hyperdraw mode and automate a sharp volume dip down
to 0db
on a beat you know there's a transient. Use the region track delay parameter
to find the
point your envelope is triggering at the right point. Now you can draw
automation with
decent resolution within that region. Can work on any plug-in parameter the
track
automation can.
If you add plugs with latency to that bus, simple adjust the delay parameter
(positive or
negative delay) of the region. It's a few extra steps, but not too bad
while running
multiple audio systems.
Dean Bailin
-- In logic-tdm@yahoogroups.com, igMusic <igmusic@...> wrote:
>
>
> On 22/12/2006, at 1:14 PM, Robert Prizeman wrote:
>
> > Message posted by Robert Prizeman <rp@...>:
> >
> > Currently on HD2/Quad/723 - but previous versions all had the same
> > problem.
> > Drawing in Hyperdraw volume moves to control bus levels never
works in
> > sync
> > with the rest of the song. It makes the moves considerably ahead
of
> > where
> > you write them. Anyone else come across this or have any advice
> > please!?
>
> I noticed this many years ago when using a bus to fade a commercial to
> 30 seconds and kept ending up with 29.5 second mixes. Haven't checked
> it lately, but I guess it's still the same bug: number seven million on
> the long list of bugs that have been around since Day One and never
> been fixed and most likely never will be.
>
> So the short answer: you're stuck with it!
>
>
> Ian
>
> ------------------------------
> Ian G. Morris - Tonewright
> ian@...
> http://www.igmusic.co.nz
> http://www.thdudes.co.nz
>
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