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>> I'm afraid that in
>> the future if you want the software that'll run on
>> your Mac, you'll need to turn to Apple more and more.
On Thursday, July 17, 2003 4:00 PM, <mercutio> wrote:
> You may be right... Apple may even just die. But since I already
> prefer
> Logic, FCP et al to their respective competitors, its not a problem at
> least for the present.
Anyway you put it, it is never posititive that an OS vendor also makes
software. That goes for M$ too of course. Many companies refrain from
competetive developing on that particular platform of that spesific software
when they have to "beat" the actual OS developer. Quite
understandable. And
this is never for the benefit of the end-user. That Apple drops Premiere for
Apple is and should be very disturbing for Mac people. M$ dropped IE for Mac
the very same day (almost) that Safari was released. Some of you might say
that Safari is better or that Final Cut is better than Premiere, but that is
obviously beyond the point. Somebody just lost their favourite software and
all of you lost the option to choose.
--- In logic-ot@yahoogroups.com, mercutio <mercutio@c...> wrote:
>
> On Thursday, July 17, 2003, at 09:57 AM, itsplayed wrote:
>
> > I'm afraid that in
> > the future if you want the software that'll run on
> > your Mac, you'll need to turn to Apple more and more.
> >
> You may be right... Apple may even just die.
I think Apple might have a great future ahead of them as an online
MP3 provider, for all platforms. The record companies don't seem to
have a clue, Apple have the startup funds and the focus, and the iPod
as a perfect entry point, and if they do it properly ... it could
give them a new revenue stream that wouldn't need them to spend
anything on inventory or anything on R&D (other than the computer
systems needed to run the indexes, deliver the files and take the
money). They could turn into the "downloadable music" equivalent
of
Amazon (but needing no stock or warehouses!).
Hell, if they become #1 in online music, why bother making computers
any more? :-)
> But since I already prefer Logic, FCP et al to their respective
> competitors, its not a problem at least for the present.
Yep, but remember that Apple weren't capable of writing logic and FCP
themselves ... those apps were written independently, outside Apple's
corporate umbrella, and we still need to see how they develop once
the new corporate priorities are taken into account.
Apple may well consider that logic6x is already "good enough", and
that their bought-in emagic brains might only be allowed to continue
to work on it if they spend time working on more "popular" Apple
projects rather than on a logic7.
Maybe Apple might want a killer karaoke programme, or an
autoarranger, or a "put together your own hit single from these
component parts" program , or a "learn to play guitar along with
whatever's in this week's top ten" system. If they end up running a
major MP3 business, they might want to explore all sorts of wild and
wacky MP3-related software ideas. They'll probably be wanting to look
at anything they can sell to their new MP3 userbase.
Maybe a new type of easy-to-use entry-level sequencer, with big
animated icons, new softinstruments and happy-happy-appley front-ends
on everything?
--- In logic-ot@yahoogroups.com, "Oblivian | Bacteria AS" wrote:
> ...
> Anyway you put it, it is never posititive that an OS vendor
> also makes software. That goes for M$ too of course.
Oh yes, MS are the stock example!
MSWord development seemed to be ****ed up for years as it drifted
around in the wash of Microsoft's shifting corporate visions.
And I thought Visual Basic had had the chance to completely turn the
software development market upside down, if its development team had
been allowed to go ahead and turn it into the complete killer cross-
platform development tool it could have been ... but they only seemed
to support MS operating systems (no Mac version), and didn't
initially include a compiler (conflict with VC++), and then got
bogged down as VB got used as a pawn in MS strategy after strategy.
> Many companies refrain from competetive developing on that
> particular platform of that spesific software
> when they have to "beat" the actual OS developer. Quite
> understandable.
Yep, if you have the code for an incredible new wordpocessor, it's
probably not worth releasing it for Windows, because most Windows
people will just continue to buy Microsoft's own MSWord by default.
Partly because MSWord is considered the "standard" Windows WP
program, partly because it has the MS stamp on it, and partly because
the buyer knows that if they buy a competing Windows wordprocessor,
there are going to be question marks over the future of that software
under Windows (because they are not going to have an easy time
competing with MS).
So the "safe" option is buying MSWord, despite any deficiencies in
the product, and because MS don't have to make the app compete too
hard to keep market share, its development progress has been
appallingly slow.
MS probably don't give a damn, it still sells.
> --- In logic-ot@yahoogroups.com, "Oblivian | Bacteria AS"
wrote:
>> ...
>> Anyway you put it, it is never posititive that an OS vendor
>> also makes software. That goes for M$ too of course.
On Friday, July 18, 2003 3:47 AM, <Eric Baird> wrote:
> Oh yes, MS are the stock example!
> MSWord development seemed to be ****ed up for years as it drifted
> around in the wash of Microsoft's shifting corporate visions.
> And I thought Visual Basic had had the chance to completely turn the
> software development market upside down, if its development team had
> been allowed to go ahead and turn it into the complete killer cross-
> platform development tool it could have been ... but they only seemed
> to support MS operating systems (no Mac version), and didn't
> initially include a compiler (conflict with VC++), and then got
> bogged down as VB got used as a pawn in MS strategy after strategy.
Sorry, I don't agree with you. Even though an OS vendor develops other
software doesn't mean that the software they develop is inferior to the
competition. M$ is a prime example of that. I can think of no other software
that substitutes MS Office. Yes, there are alternatives, but they aren't
"better". Before MS Word it was Word Perfect for DOS... IE vs
Netscape? We
all know Netscape sucked. It isn't even around anymore since AOL simply
dropped further development. Same with Premiere vs Final Cut. Final Cut is
commonly regarded the better choice. The problem is that it is developed by
Apple, and Apple is an OS vendor. I think Adobe had challenged any other
developer, but since it's Apple they just don't bother. What puzzles me and
what should disturb you is that if there's any company that has made Apple
what it is today, it's Adobe. And when Adobe starts looking elsewhere it is
not a good sign I'm afraid. And it's Apple's own fault. What if Steinberg
feels the same way after the aquisition of Emagic. Maybe in a year or two
we're stuck with Logic on Mac. Terrible... Opera is "thinking
loud" about
discontinuing development for Mac, M$ has stopped further development for IE
on Mac. Windows Media Player 9.0 wont ever be released for Mac, and that is
a BIG problem since WMA and WMV is regarded the second largest format after
MP3 and MPEG, followed by Real and QT. They wont even release the codec.
What Apple doesn't seem to understand is that Mac is a niche computer and
Apple isn't M$. M$ is one of the largest and most influential companies in
the world. They can pull of things like that and get away with it. Apple
can't, they're to small. They just don't seem to get it, I'm afraid...
My initial post stands. Apple shouldn't develop Final Cut, Final Cut Pro,
Safari, Logic or any other "auxillery" software. Neither should
M$, but
since they are so much bigger than little Apple, they are more likely to get
away with it.
Anyway, I find it strange that some of you tend to compare Apple and M$. It
is two completely different companies and different rules apply to them.
Apple wont ever be prosecuted under anti-Trust laws/violations because they
wont ever be in a position to do so. M$ is because they have a
world-monopoly. That doesn't mean that M$ is worse than Apple businesswise
since M$ has been accused and Apple not. And it certainly doesn't mean that
they are better either. Had Apple been as big as M$, I am certain they have
had exactly the same "problems".
Yes u're on right as Logic drop in MAc.That's why i stay in PC wih my 5.51 V
in PC
But i don't want to change plateform or software every years.
I have no money and time to do this.
Maybe Linux will be my big change
Nicolas
----- Original Message -----
From: Oblivian | Bacteria AS
To: logic-ot@yahoogroups.com
Sent: Thursday, July 17, 2003 10:24 PM
Subject: Re: [L-OT] re: [OT] Premiere for FCP
>> I'm afraid that in
>> the future if you want the software that'll run on
>> your Mac, you'll need to turn to Apple more and more.
On Thursday, July 17, 2003 4:00 PM, <mercutio> wrote:
> You may be right... Apple may even just die. But since I already
> prefer
> Logic, FCP et al to their respective competitors, its not a problem at
> least for the present.
Anyway you put it, it is never posititive that an OS vendor also makes
software. That goes for M$ too of course. Many companies refrain from
competetive developing on that particular platform of that spesific software
when they have to "beat" the actual OS developer. Quite
understandable. And
this is never for the benefit of the end-user. That Apple drops Premiere for
Apple is and should be very disturbing for Mac people. M$ dropped IE for Mac
the very same day (almost) that Safari was released. Some of you might say
that Safari is better or that Final Cut is better than Premiere, but that is
obviously beyond the point. Somebody just lost their favourite software and
all of you lost the option to choose.
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--- In logic-ot@yahoogroups.com, "Oblivian | Bacteria AS" wrote:
>
> Sorry, I don't agree with you. Even though an OS vendor
> develops other software doesn't mean that the software
> they develop is inferior to the competition.
Well, it /often/ does, because they can get away with more.
Of course, sometimes the in-house programs are so bad that they never
make it to market at all. I don't know if you ever saw the early
betas of MSNetwork (which Gates had told the developers was going to
eliminate the internet). It was, quite literally, the worst piece of
software I've ever, ever seen, but the in-house hype that it
was "great" meant that it was demoed to developers as the Next Big
Thing. A small focused development team would never have done that.
And there was Apple's promised raft of killer multimedia apps, when
they releanched their multimedia division years ago (which at the
time was what stopped me from developing for the Mac). Ever see any
of those apps? :-) Or there was the previous press launch, years
before that, where they flew a guy to London to eagerly show a bunch
of unimpressed music shop people a buggy demo of a half-working
arpeggiator utility. At the time I had a 96-MIDI-channel Notator
system at home, so their incredible demo didn't exactly knock me out.
How good were Apple's own in-house attempts at writing video editing
or music composition apps? Well, if they'd been any good, would they
have had to buy in logic and FC from outside?
> M$ is a prime
> example of that. I can think of no other software
> that substitutes MS Office.
MS pretty much destroyed the opposition with their tactics. They
leveraged Office, the OS, development tools and the apps to get
competitive advantage for whichever component was considered to be
least competitive at the time, and deliberately engineered
incompatibilities between their OS subsystems and competing office
apps. As a developer, I had to buy Word in order to construct
helpfiles. Word had some nice features, but had (/has?) some
outrageous bugs and mistakes which didn't get fixed for years.
Some parts of Windows/Office were very impressive, but those tended
to be parts that MS had bought in, rather than developing them
themselves. I was really impressed by the MS Equation Editor, but
that was apparently designed by an independent one-man software
company.
I do think that Internet Explorer is very good (they bought in the
core code instead of developing it themselves, but I like part of
what they've since done with it).
> Yes, there are alternatives, but they aren't
> "better". Before MS Word it was Word Perfect for DOS ...
Remember the Atari-based wordprocessors? Calamus on the Atari had
outline vector fonts, Word didn't catch up with that until ...
Word97?
And if you tried writing a book or a technical documentation on Word,
its internal structure couldn't cope. MS claimed to have produced
their own manuals using Word, but I was at a conference where someone
asked how to get Word to produce a certain layout effect used in the
manuals, and they had to awkwardly admit that, yes, they'd actually
used Something Else (probably Adobe).
> IE vs Netscape? We all know Netscape sucked.
Yep, Netscape sucked.
> It isn't even around anymore since AOL simply dropped further
> development.
Yeah, well, AOL aren't exactly a good example of a little independent
software team with no corporate issues, are they?
(/perhaps/ Netscape could have bee saved if development had been
given to a hungry motivated team with clear ideas about what they
wanted to achieve with it, dunno ... or perhaps MS's obvious plan to
give away IE for the major platforms simply made it not worth while
putting in the resources needed to bring Netscape up to scratch)
I thought that Compuserve used to be rather good, but then they
committed to having MS redesign their system, that idea broke down,
and then they got made part of AOL Time Warner.
Now the corporate strategy regarding Compuserve seems to try to shut
it down, after getting existng members to switch to AOL. It's a
captive userbase, that's all.
But maybe (overall) IE counts a a success story.
"Outside talent+ corporate muscle" sometimes does prduce nice
things
(the Pixar hookup with The Evil Disney Corp seemed to work very
well), but only when the corporation doesn't start fiddling around
and interfering with the product to make it fit their corporate plans
better.
Who here thinks that logic is now a better suite for losing Windows
support? And for not supporting OSX VST? And for losing the option of
supporting UNIX?
Are emagic a more open and up-front and friendly company since being
taken over by Apple? How far do you trust them to be able to deliver
on a development roadmap now? Hell, they probably aren't even allowed
to tell us what the roadmap is (assuming that it exists).
> Same with Premiere vs Final Cut.
Well, I understood that FC is largely composed of bits that Apple
acquired by taking over and cannibalising other companies.
I'm not saying that that's always a bad thing, but in order for that
strategy to work, you have to have those little companies out there
in the first place, thinking that they can actually make some money
in the market with their nice nice apps and components.
Once Apple have the market stitched up, where does the next
generation of innovation come from?
> Final Cut is commonly regarded the better choice. The problem
> is that it is developed by Apple, and Apple is an OS vendor.
> What puzzles me and what should disturb you is that if there's
> any company that has made Apple what it is today, it's Adobe.
Yep, Adobe are persistent innovators (even if their product marketing
is sometimes a little odd). Didn't Adobe also develop the TrueType
font-handling subsystem system for Microsoft, for Windows?
> And when Adobe starts looking elsewhere it is
> not a good sign I'm afraid. And it's Apple's own fault.
> What if Steinberg feels the same way after the aquisition
> of Emagic. Maybe in a year or two we're stuck with Logic
> on Mac.
Well, Steinberg were kinda bludgeoned into making an early public
decision on whether to continue with Apple support or not (even
though Apple were now deliberately not supporting Steinberg's OSX VST
format for tactical reasons), and under pressure, they said they'd
continue with OSX.
But that doesn't mean that they are not now going to make Windows
their priority. Especially now that they've been bought out by
Pinnacle.
> Terrible... Opera is "thinking loud" about
> discontinuing development for Mac, M$ has stopped further
> development for IE on Mac. Windows Media Player 9.0 wont
> ever be released for Mac, and that is
> a BIG problem since WMA and WMV is regarded the second
> largest format after MP3 and MPEG, followed by Real and QT.
> They wont even release the codec.
Well, Apple do seem to be throwing down the gauntlet in a number of
media sectors and effectively saying that they can go it alone.
I don't know exactly what happened between Apple and Sony, but Sony's
NetMD software doesn't work with the Mac, so you can probably add
ATRAC to your list of unsupported formats.
Of course, perhaps Apple think that the iPod cupled with their MP3
business will obliterate everything else, and who knows, maybe they
migth even be right. But I've seen lots of kids on the tube playing
with their minidisc players, and haven't yet seen an iPod outside a
retail shop. Maybe iPod uptake is much higher in the US, dunno.
> What Apple doesn't seem to understand is that Mac is a niche
> computer and Apple isn't M$. M$ is one of the largest and most
> influential companies in the world. They can pull of things
> like that and get away with it. Apple can't, they're to small.
> They just don't seem to get it, I'm afraid...
Yep, MS made the good business decision early not to get into
building the computers themselves. They let IBM make a loss on their
original PC range breaking in the market, and they let Taiwanese
manufacturers happily cut each others throats for profit margins,
while they just sell these little CD packs.
Apple got too greedy and decided that they wanted the whole pie for
themselves, and then suffered for years with manufacturing
difficulties and inventory issues. MS just let other people worry
about building expensive obsolescent hardware and just creamed off a
profit on each machine based on what those manufavcturers had
installed on their harddrives.
iPod is a very different product for Apple, the critical software and
hardware technologies behind it are third-party, and Apple just
supply the design flair and marketing. And its supposed ot be rather
successful. Instead of getting themselves into a tizzy over R&D and
manufacturing for the next generation of hard drives for the next-
generation iPod, they can just sit back and let the PC HD
manufacturers fight amongst themselves to bring down 2.5" HD prices
and increased capacity ... and when the time is right, Apple just
have to buy some of the new 2.5" HD models, plug em in, and they've
got a brand new improved iPod.
Some people at Apple must be thinking .. why the hell don't we go
further along this path with the computer processors too?
Just assemble a damned good PC from the cream of the readily-
available computer hardware, have a version of OSX that only runs
with an Apple-authorised chip, and if we ever decide to get out of
the desktop market, we still have the res tof the business intact.
I mean, the way things are currently going, it looks like in a few
years, the only critical apps that would need to be rewritten to run
on a G6 will basically be Apple's own apps anyway ...
> My initial post stands. Apple shouldn't develop Final Cut,
> Final Cut Pro, Safari, Logic or any other "auxillery"
software.
> Neither should M$, but
> since they are so much bigger than little Apple, they are more
likely to get
> away with it.
>
> Anyway, I find it strange that some of you tend to compare
> Apple and M$. It is two completely different companies and
> different rules apply to them.
> Apple wont ever be prosecuted under anti-Trust laws/violations
> because they wont ever be in a position to do so. M$ is because
> they have a world-monopoly. That doesn't mean that M$ is worse
> than Apple businesswise since M$ has been accused and Apple not.
> And it certainly doesn't mean that they are better either. Had
> Apple been as big as M$, I am certain they have
> had exactly the same "problems".
I think that one of the main reasons that some people liked Apple was
that they weren't Microsoft. Now that they seem to be aspiring
to /be/ Microsoft, some of us are wondering whether we'd actually
miss them if they went under. Maybe a more friendly company would
take their place.
It'd be a shame to lose further logic development, but since there
are no public commitments form apple/emagic that there's going to be
significant further logic development anyway ...
On Friday, July 18, 2003, at 08:01 AM, Eric Baird wrote:
> Who here thinks that logic is now a better suite for losing Windows
> support? And for not supporting OSX VST? And for losing the option of
> supporting UNIX?
first one - I think it has to be better. Many things that are kludgy
about Logic probably had to do with keeping a generalized design that
could quickly compile to both platforms. Look at MOTU - which remained
Mac only and how they came from being dead in the water to having much
better Quicktime integration. I think because they didn't have to worry
about Windows at all. Now Logic can move with the same efficiency.
second one - not supporting VST is as much a political decision as
anything. They had to make AU as attractive as possible. They had
trouble with Steinberg in the past - and I think it reasonable to
believe that Steinberg had cooperated less than totally open standard.
Having an important facility under the control of a third party was not
healthy for either Apple or Emagic. That said, a good number of plugs
are carbon now and can be used with the wrapper, and others are coming
along with their AU versions as well. So I think in the end the point
is moot. One thing that hasn't changed is that a lot of plug developers
will make Windows VST versions only... but it was always that way.
third - don't even understand this thing about UNIX... what are you
referring to?
> Maybe a new type of easy-to-use entry-level
> sequencer, with big
> animated icons, new softinstruments and
> happy-happy-appley front-ends
> on everything?
>
> Eric, I agree with all that you say....by the way
can I have your permission to use the title
"happy-happy-appley front ends" on my current
instrumental?
-Steve
>
>
__________________________________
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Thanks a lot for the info, all! OK, I'd be a hipocrite to say that a
giant manual
and deep program scare me off -- I bought Logic didn't I? See, it's
plain that Logic is complex, but this is to be expected from a program
so robust and capable. Complex problems (like the vagueries of music)
just don't have easy answers.
Is that the principle behind Finale's many doc pages and user screens?
Or does it just seem like the program was designed poorly,
introducing complications where they could have been avoided? Put
another way, is the program thorough to a fault or is it an 800 pound
gorilla that everyone has agreed to work with?
Bladdy
--- In logic-ot@yahoogroups.com, Santi Galán <sgalang@m...>
wrote:
> With all my respects:
>
> I don't say "Finale may have changed", I said Finale HAS
changed,
and
> talking now about a very old version like the 3.x is like comparing
Logic 5
> with Creator or Notator...
> I make part of my living teaching people to do scoring on computers
with
> Finale, and I find that for the most part, even persons with no
background
> in computers are able to use this program and make a pretty good
amount of
> different kinds of scores, just with some classes.
> Anyway, I again reccomend everybody that is willing to start with a
notation
> program, find someone to explain him both of the professional
choices
> (Sibelius and Finale), and then decide...
>
> Regards
>
> Santi Galán
>
> ----- Original Message -----
> From: "Paul Nicholls" <paulnicholls@s...>
> To: <logic-ot@yahoogroups.com>
> Sent: Thursday, July 17, 2003 3:12 AM
> Subject: Re: [L-OT] notation software comparison
>
>
> Finale may have changed but I in the past it was a horror story.
> Sibelius is fast and very direct and has pretty good MIDI. I find I
get
> the job done fast and I don't have to crack the manual all the time
as
> Finale users are noted to do. There are also a lot of new music
> features if you are interested in them. I would not go for FInale
> unless you really know what you are getting into.
>
> Regards
>
> Paul Nicholls
At 13:09 Uhr +0000 18.07.2003, bladderskate wrote:
>Is that the principle behind Finale's many doc pages and user screens?
> Or does it just seem like the program was designed poorly,
>introducing complications where they could have been avoided? Put
>another way, is the program thorough to a fault or is it an 800 pound
>gorilla that everyone has agreed to work with?
Mine was solid as a rock, did all I needed to do and a lot more, and
I think the manual was very well organized with a nice index. I used
the PDF manual as I could just jump between the links and it was so
convenient.
Don't know about Sibelius.
Cheers
Hans
Hi,
Is there any PC based software that would allow me to see and edit the code
of an audio file?
Thank you.
Jeannot Welter.
--- In logic-ot@yahoogroups.com, mercutio wrote:
> On Friday, July 18, 2003, at 08:01 AM, Eric Baird wrote:
>
> > Who here thinks that logic is now a better suite for
> > losing Windows support? And for not supporting OSX VST?
> > And for losing the option of supporting UNIX?
>
> first one - I think it has to be better. Many things that
> are kludgy about Logic probably had to do with keeping a
> generalized design that could quickly compile to both
> platforms.
In theory, I agree ... I don't know what logic was actually written
with but it /seemed/ to have the sort of design things that you'd end
up with if you used MS VC++ (colourscheme, badly integrated menus and
help system). MS VC++ was cross-platform but had some really horrid
design weaknesses.
Thing is ... after we've paid the price, in terms of losing the cross-
platform stuff, are emagic actually then going to go ahead and
redesign this great user-interface that we are waiting for, or are
they going to decide that the payoff isn't worth it at this late
stage, and keep the program pretty much as it already is?
I mean, with their proprietary softsynth format, one of the
advantages was that it allowed all sorts of really advanced stuff
that would only have been possible with emagic having control over
the interface ... since logic seeemd to be designed to be kinda
extensible, we might have had the ability to edit additional noteon
parameters, which could have been assiged to parameters in their
softsynths, or used as part of a modulation matrix (so that you could
set a filter setting or playing style for an individual note of a
chord) ... but it never happened.
In fact, we never even got support for basic stuff like program
changes or mono mode!
So the new potential is nice, as long as its really going to be
realised. But I suspect that some of logic's kludges are less to do
with cross-platform support than with other things.
Logic 5.5.1's control surface MIDI subsystem stuff really doesn't
seem to be stable under WinXP, but under OSX, with a rewritten MIDI-
optimised operating system partly redesigned by emagic, and a new
architecture, and the new focus on a single operating system ... it
still doesn't seem to be stable! :-)
Of coursed, perhaps emagic are still struggling with cross-platform
code in order to be able to support both OSX and OS9, and perhaps we
won't see the real advantages until they go OSX-only. Which they
don't seem to have any public timetable for. Hmm.
> second one - not supporting VST is as much a political decision as
> anything.
Quite
[re: UNIX?]
Sorry, my bad wording, I probably should have have said
the "potential" of UNIX support rather than the
"option".
AFAIK, emagic never said that they would be supporting UNIX, but it
seemed to be a distinct possibility at one point. All the musicy
people I know are sick of paying money to microsoft and annoyed at
having to buy complete new computers from Apple to get an alternative
OS, so the subject of UNIX keeps popping up in conversation ... they
just just want a simple cheap, cut-down operating system that can run
their precious DAW software on a dedicated logic-box. They don't want
to spend a lot of money on the OS, and they don't want to waste
processing power or harddrive space on maintaining animated icons or
redrawing pretty curved-edge window borders, or taiwanese language
support, or 3D graphics or gamer support ... they aren't computer
enthusiasts, they just want the OS to boot up their computer, launch
logic, and then keep the hell out of the way.
If they want to do email and internet stuff, they'll do all that on a
separate general purpose machine and keep their DAW box lean and mean
tuned up and dedicated to running their DAW.
I liked the idea of a logic-optimised version of UNIX with all the
unneccessary stuff stripped out or pre-disabled, bundled
with "logix", and I think a lot of musicians would have been very
happy to have a music PC that simply boots up into a pre-tweeked
dedicated emagic environment.
But now it'll never happen <sigh>.
--- In logic-ot@yahoogroups.com, itsplayed wrote:
> >...
> > ....by the way
> can I have your permission to use the title
> "happy-happy-appley front ends" on my current
> instrumental?
> -Steve
<laughs> go ahead!
Maybe emagic could do educational music teaching software for toddler
groups with simple bright-colour animations that bounce around on an
iMac screen in time to the music as the teacher directs them
"OK, children, sing along .. I'm a Happy, Clappy Apple ... "
[dammit, I can really see this working, now I'm scaring myself]
--- Eric Baird <eric_baird@...> wrote:
> --- In logic-ot@yahoogroups.com, itsplayed wrote:
> > >...
> > > ....by the way
> > can I have your permission to use the title
> > "happy-happy-appley front ends" on my current
> > instrumental?
> > -Steve
>
>
> <laughs> go ahead!
>
> Maybe emagic could do educational music teaching
> software for toddler
> groups with simple bright-colour animations that
> bounce around on an
> iMac screen in time to the music as the teacher
> directs them
>
> "OK, children, sing along .. I'm a Happy, Clappy
> Apple ... "
>
> [dammit, I can really see this working, now I'm
> scaring myself]
>
> Sure, Why not? It's an untapped resourse. I say
Reel them in while there young.
-Steve
>
>
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Hi!
I just bought a new computer! Logic can´t find the old settings for
the midi environment. There arent any out or input for midi! Anyone
who knows where theses settings are in the program?
I use windows2000 and have a MT4 midiinterface that is connected to a
Roland JV1010. The Roland JV1010 doesn´t receive any midi signal at
all! I downloaded USB drivers for the MT4 from emagics site.
J
Test
--- In logic-ot@yahoogroups.com, itsplayed wrote:
> ...
> Sure, Why not? It's an untapped resourse. I say
> Reel them in while there young.
I still think they missed a trick by not hooking up with Disney to
supply the kiddie market with iMacs with big black plastic sticky-out
mouse ears, that boot up with a big cartoon face.
They could have had two models to start with, a "Mickey Mac" and
a "Minnie Mac", that mac enthusiasts could buy for their kids (or
for
themselves as a kitch design statement).
Or they could have tied up with Warner Bros instead, so when you
power down, you get that boing sound and big "That's all, Folks"
thing on the screen.
"Deede deede de de de de dededede"
"Deedle ee de de Deeeee (-ee-ee)!"
The educational division could have their own bright yellow
"smiley"
version of the Apple logo.
[Erk]
: "The 'Happy Apple" logo is a trademark of Apple Kids"
On Friday, July 18, 2003, at 08:01 AM, Eric Baird wrote:
> > > Who here thinks that logic is now a better suite for
> > > losing Windows support? And for not supporting OSX VST?
> > > And for losing the option of supporting UNIX?
In logic-ot@yahoogroups.com, mercutio wrote:
> > first one - I think it has to be better. Many things that
> > are kludgy about Logic probably had to do with keeping a
> > generalized design that could quickly compile to both
> > platforms.
What good will excellent code in Logic do if no one releases software for
it? When the OS vendor is also making the software it is isolating itself
(Logic) from the market. At best you are stuck with plugins from Apple.
Apple competes with NI, Steinberg, Waves, MOTU, etc. The plugins Emagic has
released earlier is great, but not versetile or, in my view, good enough
compared to what "more dedicated" plugins/ss companies make.
On Saturday, July 19, 2003, at 09:37 AM, Eric Baird wrote:
> Thing is ... after we've paid the price, in terms of losing the cross-
> platform stuff, are emagic actually then going to go ahead and
> redesign this great user-interface that we are waiting for, or are
> they going to decide that the payoff isn't worth it at this late
> stage, and keep the program pretty much as it already is?
a good question - I am hopeful that there is some of the old Atari
spirit left at Emagic and that they will really spiff up the
performance, interface etc now that there is an opportunity. (i.e. they
only have to worry about 1 OS). Quicktime integration has needed
improvement for a long time. That's a big one for me. I just hope they
do it.
> In fact, we never even got support for basic stuff like program
> changes or mono mode!
> optimised operating system partly redesigned by emagic, and a new
> architecture, and the new focus on a single operating system ... it
> still doesn't seem to be stable! :-)
Hard to say - I only use X for my live rig. It grumbles now and then
but never crashes. I work the program much harder under 9.2.2 - with
the usual grumbles and it still tries to "save my song" too often
for
my liking
> Of coursed, perhaps emagic are still struggling with cross-platform
> code in order to be able to support both OSX and OS9, and perhaps we
> won't see the real advantages until they go OSX-only. Which they
> don't seem to have any public timetable for. Hmm.
It is inevitable that they will have a final rev for 9 at some point -
but I think they need to wait longer. For myself, I still use 9 for
everyday work but imagine that I will try going X now that some of my
favs from NI have gone AU. My "office" machine and live rig both
run
under X and I have to say that it is much much more fun in general than
9, so I am looking forward to getting it all under X as soon as
possible.
> I liked the idea of a logic-optimised version of UNIX with all the
> unneccessary stuff stripped out or pre-disabled, bundled
> with "logix", and I think a lot of musicians would have been
very
> happy to have a music PC that simply boots up into a pre-tweeked
> dedicated emagic environment.
> But now it'll never happen <sigh>.
Well, to do the things that we all do in a program like Logic, I think
there has to be an elegant graphic shell on top of whatever flavor of
UNIX. My feeling is that X is pretty good - but I agree with you about
wanting some lean mean performer without too much eye candy or
overhead. Makes you yearn for Be, doesn't it?
I'm currently running Logic 6 Platinum (OSX) on a G4/800 PowerBook
along with Reason 2.0. Rewire2 works fine BUT, Reason won't recognise
the Factory Sound bank either on my HD or on the CD!
When asked to select the Refill on loading the program, clicking on
Factory Sound bank just reads 'Bad Format'. Strange thing is, Reason
recognises the Orkester Sound Bank without a glitch!
Has anyone else encountered this problem?
I've tried reinstalling both programs and think that the error may be
to do with Logic 6 as Reason runs without a problem when Logic isn't
installed. I've even run software restore on my mac to clean up the
OS but still get the same problem.
Any suggestions would be appreciated!
On Sunday, July 20, 2003, at 12:03 AM, Oblivian | Bacteria AS wrote:
> What good will excellent code in Logic do if no one releases software
> for
> it? When the OS vendor is also making the software it is isolating
> itself
> (Logic) from the market. At best you are stuck with plugins from Apple.
> Apple competes with NI, Steinberg, Waves, MOTU, etc. The plugins
> Emagic has
> released earlier is great, but not versetile or, in my view, good
> enough
> compared to what "more dedicated" plugins/ss companies make.
>
Don't know what you mean really - I just ordered some AU plugs from NI
- it has taken some time for the plug makers to come around but now
they are showing up. My feeling is that plug makers who won't write for
Mac wouldn't have done so even if Logic was still cross platform.
> On Sunday, July 20, 2003, at 12:03 AM, Oblivian | Bacteria AS wrote:
>> What good will excellent code in Logic do if no one releases
software
<snip>
On Monday, July 21, 2003 8:54 AM, <mercutio> wrote:
> Don't know what you mean really - I just ordered some AU plugs from NI
> - it has taken some time for the plug makers to come around but now
> they are showing up. My feeling is that plug makers who won't write
> for Mac wouldn't have done so even if Logic was still cross platform.
It is a future scenario, not a current. The point is that Apple competes
with NI making software samplers and softsynths, against Waves on misc.
plugins, Steinberg on software samplers, plugins and hosts, MOTU on hosts. I
can't see what good comes out of that.
>It is a future scenario, not a current. The point is that Apple competes
>with NI making software samplers and softsynths, against Waves on misc.
>plugins, Steinberg on software samplers, plugins and hosts, MOTU on
hosts. I
>can't see what good comes out of that.
How about this good: if apple (emagic) didn't do it, there would
basically not be enough plugins and softsamplers to be able to do any
work in OSX at all right now?
NI and waves both have better compressors and better instruments than
are available from apple. All they have to do to be perfectly
competitive is simply unthumb their buttholes and make them available.
On Monday, July 21, 2003, at 05:38 AM, Oblivian | Bacteria AS wrote:
> It is a future scenario, not a current. The point is that Apple
> competes
> with NI making software samplers and softsynths, against Waves on misc.
> plugins, Steinberg on software samplers, plugins and hosts, MOTU on
> hosts. I
> can't see what good comes out of that.
>
Yes it is a confusing world - but let me say this: I used to buy on
"future" considerations. But now I buy on what I need
"now". As far as
competition is concerned: I don't care if it is Apple or Emagic
competing against the rest. As long as they all see the need to top
each other, see the need to keep pace, then I as a consumer will
benefit.
As for the Emagic-Apple alliance.... I keep using Logic until someone
else blows me away - just like I used Performer until Notator blew me
away on a "marginal" platform (Atari). In other words, a few plugs
are
not going to make me switch to a)Cubase and b) PC. Why on earth should
it?
btw - if you think that MOTU is the creme of hosts... please think RME
:-)
> ** Original Message follows...
> From: "paul_martinsatmac_com" <altonate@...>
> Subject: Reason & Logic 6 - Sound Bank recognition
>
> I'm currently running Logic 6 Platinum (OSX) on a G4/800 PowerBook
> along with Reason 2.0. Rewire2 works fine BUT, Reason won't recognise
> the Factory Sound bank either on my HD or on the CD!
>
> When asked to select the Refill on loading the program, clicking on
> Factory Sound bank just reads 'Bad Format'. Strange thing is, Reason
> recognises the Orkester Sound Bank without a glitch!
>
> Has anyone else encountered this problem?
There is some info on Propellerheads' site about a potential problem and fix
with Logic 6.1 and Reason. Also, it is possible that there is a problem with
the CD itself. I know a few people who had to have either the Factory Sound
Bank or Orchestra CD replaced.
Mars
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