Can somebody tell me which settings may be doned in Logic 4.8 and in MTPAV 1.2 for syncronise Logic with ADAT XT ? Thank you, Mihai

Hmm... So far so good. Thanks! Eric On 12/2/02 7:54 AM, "teddybut" <kumpkin@...> wrote: > it seems to me that you should turn off the itunes extension. I seem to > remember some kind of conflict with itunes and other audio apps in general > if that was on. You don't lose any functionality, just doesn't show the > "ITUNES" names in the finder... no big deal. I do what you do all the time > and don't have problems (my itunes ext is off) > > teddybut >> >> >> I use iTunes a great deal to sort mixes and rehearsals, etc. and I think >> iTunes is indispensable. I often have both iTunes and Logic running and have >> iTunes use the Mac audio while Logic uses a MOTU 2048mkII. >> >> Lately, iTunes will stop playing in the middle of a tune if Logic is also >> running (in background - not doing anything). This doesn't seem to happen if >> Logic is not running. >> >> Is there an incompatibility that has crept in lately? >> >> Eric

Hello Has anyone got any interesting ways of testing the audio engine/performance of LAP 5.3. I am already doing the old dither algorithm tests for pow-r and running multiple platinum verbs, etc. Nice One JD _____________________________________________________________ Get 25MB, POP3, Spam Filtering with LYCOS MAIL PLUS for $19.95/year. http://login.mail.lycos.com/brandPage.shtml?pageId=plus&ref=lmtplus

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I am an old Logic user. I still have my Atari when it was called Creator/Notator. I currently use version Platinum 5.5 for windows. I have NEVER used the Environment feature. I don't even know what it does, but everything I read says I need it. I need a tutor, and will pay $50 for an hour lesson over the phone. I will give this tutor my home number, and they can *67 if they don't want their number shown, but I need this lesson. I was hoping to get someone with a Motif 7, so we both could be looking at the same thing, but I haven't found anyone.....yet. If you can help, or know someone who can, please let me know so that I can set this up. Thanks Chaz __________________________________________________ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com

Hi, this is a Studer Vista 6 or Vista 7 regards, René http://www.vista7.com/ or www.studer.de www.studer.ch theKid schrieb: >hi all > >does anyone know what's this under the iPod? > >http://www.iPodlounge.com/assets/galleries/iatw_gallery/source/ >ipods_world593.html > > >:: >later, >theKid http://www.akido.biz >:: > > > > Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/ > > > > > -- ************************* > sound : art suite > digital recording > manufacture vienna > > recording, editing > mixing & mastering > ----------------------- > René Kornfeld > 0676/612 43 12 > rene.kornfeld@... *************************

I had some trouble with my Midi Express connection and disabled it in Logic. Now that I have it live I am not sure how to reset it. I can seem to find any reset switch that will find the Midi Express. Any help would be greatly appreciated!! P3 733 - 654 ram, 80 gig drive 7200 RPM Delta 66 and Omni Audio Turtlebeach Montego II Audio card (for midi) MOTU Midi Express David

Sorry about the OT message, Does anyone have a roland S-50. I'm living in Rome and need to take a old sample of a baby in the womb I made before my S-50 died on me. reply off line if you can help, thanks tutti bitesound@... Jamie

Hi, If anyone is _sucessfully_ using Virtual PC with Acid and/or Fruityloops on the Mac, I would like to hear from you. Thanks mars

I am just now listening to "Radioaxiom: A Dub Transmission" by Jah Wobble and Bill Laswell, and I was wondering if anyone has any tips on getting the bass (guitar) sound these guys do. I'm not sure which one is playing bass on which song, but the bass sound HUGE without overpowering other instruments, has lots of low end without being boomy, has bite without much high end, has a nice attack and lots of sustain without sounding overly compressed, etc. How do they do this? I can't get my bass to sound this big without turning it way up in the mix... Thanks a lot, smeet

Hi, What's S.M.A.R.T. related to HDs for? In my BIOS I have "enable" SMART, but is currently disabled... Should I enable SMART? Regards Obi

--- Obliviän | Bacteria AS <oblivian@...> wrote: > Hi, > > What's S.M.A.R.T. related to HDs for? In my BIOS I > have "enable" SMART, but > is currently disabled... Should I enable SMART? > > Regards > > Obi > Keep this option disabled takes away from the performance of your drive! Regards, SRP3 > > > __________________________________________________ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com

http://www.dubyadubyadubya.com/ thanks and enjoy the politics on the Logic OT list teddybut

>http://www.dubyadubyadubya.com/ > >thanks and enjoy the politics on the Logic OT list > >teddybut Great! Try this one: http://www.spiegel.de/netzwelt/netzkultur/0,1518,223838,00.html (german language, but the important part is in english) Tobias

"teddybut" wrote: > http://www.dubyadubyadubya.com/ > > thanks and enjoy the politics on the Logic OT list This is a good link:-)) Except the last message is next time vote....Well I did vote the last time for the man who should be president right now (as did the majority of Americans) and look what we got....SCREWED!! --Roger

Has anybody ever heard of this brand, particularly one called MT47. Henrik henrikkrogh@...

> This is a good link:-)) Except the last message is next time vote....Well > I did vote the last time for the man who should be president right now (as > did the majority of Americans) and look what we got....SCREWED!! > > --Roger so true, but lots of people didn't vote, so I guess that part is for them, not you and I. teddybut

> Great! > > Try this one: > > http://www.spiegel.de/netzwelt/netzkultur/0,1518,223838,00.html > > (german language, but the important part is in english) > > Tobias yup, saw that one already somewhere else. Abbott and Costello eat your heart out. teddybut

Hi, for the folks here making a living with sound (composers, producers, sound engineers, etc.) i'd like to know how you got there, i.e. what schools you went to, etc. Just a brief condensed story/description of what you do and how you got to do it for a living would be immensely appreciated! I'm looking at some options here (school or job), and its decision time, so i thought that reading some stories from the gang here would be interesting. thanks :: later, kido

Hi Kido, > > >Just a brief condensed story/description of what you do and how you got >to do it for a living would be immensely appreciated! > I play trombone, tuba and keyboards in the area of Philadelphia, PA, USA. I went to a performing arts school in Phila. for trombone performance. Made some contacts and kinda went from there. My partner and I run a band that does private parties. I also freelance on bone and Dixieland tuba. I have some solo piano gigs as well. I use Logic to sequence and print parts for our band and I'm hoping to do more audio work as I get too old to run around to gigs carrying PA systems. :-) Hope that helps in your decision making process. -- Doug

18.12.2002 PINNACLE SYSTEMS AGREES TO ACQUIRE STEINBERG MEDIA TECHNOLOGIES MOUNTAIN VIEW, CA and HAMBURG, GERMANY, December 18, 2002—-Pinnacle Systems, Inc. (NASDAQ: PCLE), announced today that it has entered into a definitive agreement to acquire all of the stock of Steinberg Media Technologies AG based in Hamburg, Germany. Steinberg specializes in digital audio software solutions for consumers and professionals. The companies expect to close the transaction in early January 2003 and have agreed on a total purchase price of approximately $24 million, consisting of $8.2 million in cash and $15.8 million of Pinnacle Systems common stock. At closing, Pinnacle Systems will acquire all products, software, and intellectual property rights, along with all other assets and liabilities of the company. Pinnacle will account for this transaction as a purchase in Pinnacle Systems' fiscal Q3, ending March 31, 2003. The Company will host a conference call at 2:00 p.m. (Pacific Time) on December 18, 2002. The call in number is 800-634-1569, no password required. ======================================================== http://www.steinberg-ag.net/presse/press_section.phtml? action=show&pressID=118

24 Million is less than what emagic got isn't it? Wow. Times are changing.

anyone know if you can crossgrade your pc waves to mac?? no answer from waves thanks

Hi. I think that this will vary very much from person to person and also from country to country, depending on what music you're into, the kind of market for it, your particular skillset, etc. I actually spoke to a meeting of educators about this back in April, at least specifically on the realities of being a UK freelance, at a workshop on building vocational content into Performing Arts/Music/Music Technology courses - to survive purely by doing music fulltime, you really need to have a portfolio of skills to offer and it is the kiss of death for the longterm to narrow your options too much unless you have really come across a golden opportunity or three. Currently I am producing a mostly acoustic album for a singer and have production and remix work coming up in the New Year. I have taught Music Tech, both in college and in a high school. (I'm not doing that any more, but I now have the gig of going in and recording all their assessment live performances, which is great fun, gets me out of my little studio and I can charge them a respectable rate) I've done library and multimedia tracks and smallscale jingles. I've worked as a programmer - both as a Logic programmer for album work and actually as a synth programmer, back in the 80s, doing Yamaha DX sounds for sale with royalties, which conceivably looks good on the CV but didn't earn me a shedload of money...The most unusual thing someone has asked me to do recently is to transfer from various formats many hours of recordings of someone playing 'channelled' piano in a trance - I've got to clean them up and edit them. I'm going to do it (a) because I could do with the money and (b) because I'm fascinated with the idea! There are five things you need to make some kind of career: 1) Technical knowledge and skills which you have to continuously update; 2) CONTACTS, CONTACTS, CONTACTS (can't have enough of those) and with those goes some sort of profile which you have to work on continuously. 3) People skills to make use of the contacts and keep the gig when you've got it - no use knowing loads of people, getting the production gig and then being so impatient you make clear your intention of strangling the vocalist if she doesn't get it right next take! Nor can you leave college, get the assistant job at the busy commercial studio and then expect to be producing name artists (or anyone) within weeks. 4) LUCK. 5) Probably you would do well to have a qualification in plumbing or similar for when times get rough and you have to meet the payments on the mortgage/rent/Pro Tools rig/whatever! Tony Thompson Mighty Wight Productions http://www.mightywight.net A Member of The Music Producers Guild UK http://www.mpg.org.uk > Hi, > for the folks here making a living with sound (composers, producers, > sound engineers, etc.) > i'd like to know how you got there, i.e. what schools you went to, etc. > > Just a brief condensed story/description of what you do and how you got > to do it for a living would be immensely appreciated! > > I'm looking at some options here (school or job), and its decision > time, so i thought that reading some stories from the gang here would > be interesting. > > thanks > :: > later, > kido

--- In logic-ot@yahoogroups.com, "Qwli" <stevenLogic@e...> wrote: > 24 Million is less than what emagic got isn't it? > Yes, Apple paid $30M: http://www.macworld.co.uk/news/main_news_search.cfm?NewsIDQ00 Best regards, Henrik Jensen