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On Dec ,3, 2005, at 9:13 AM, gcala5 wrote:
> Im' using cello (bowed) in a piece and I need some long notes. It
> happens that they are
> (shortly) too long and the sample loops from it's beginning during the
> last (few) milliseconds,
> so I hear the attack twice. In the "real word" if you play
very piano
> the bow is long enough to
> allow this (the part will be played by a real player), but now the
> music has to be listened by
> my client, before it will "really" played. Which parameters
should I
> use (eg, temporaly, like
> midi messages, or anything else) to allow long notes?
You could try opening the sample in the sample edit window and
adjusting the loop points so that it doesn't go right back to the
beginning when it loops. You'll see little triangular "L" markers
in
the sample edit window to do this. They look a bit like the start and
end markers, but are meant just for setting loop in and out points.
--------
Eli Krantzberg
http://www.nightshiftorchestra.com
Almat Productions
Eli Krantzberg wrote:
> You could try opening the sample in the sample edit window and
> adjusting the loop points so that it doesn't go right back to the
> beginning when it loops. You'll see little triangular "L"
markers in
> the sample edit window to do this. They look a bit like the start and
> end markers, but are meant just for setting loop in and out points.
Yeah. In addition, usually a bit of crossfading will be required to get
smoother transitions from loop end to loop start.
Experiement with different values and carfully listen to possible phasing
problems during the x-fade.
In general, longer loops will sound better, but if the sound changes much
over time, they might sound unnatural. Finding and
adjusting proper loop points on strings is a timeconsuming task...
Regards,
Sascha
> Eli Krantzberg wrote:
> > You could try opening the sample in the sample edit window and
> > adjusting the loop points so that it doesn't go right back to the
> > beginning when it loops. You'll see little triangular
"L" markers in
> > the sample edit window to do this. They look a bit like the start
and
> > end markers, but are meant just for setting loop in and out
points.
"Sascha Franck" <S.Franck@g...> wrote:
>
> Yeah. In addition, usually a bit of crossfading will be required to get
smoother
transitions from loop end to loop start.
> Experiement with different values and carfully listen to possible
phasing problems
during the x-fade.
> In general, longer loops will sound better, but if the sound changes
much over time,
they might sound unnatural. Finding and
> adjusting proper loop points on strings is a timeconsuming task...
>
> Regards,
> Sascha
>
Many thanks for your answers. Have tried Eli's suggestments and missed
exactly the later
Sacha's answer about crossfading (to avoid the 'bump' between loop start and
end), but
since my inexperience in logic's sample editor (I used Peak in the past on
OS9) I am a bit
confused with saving my editings and other tasks:
1) How can I put a cross-fade between loop end and beginning? They are far
away.
2) It's all the time a destructive editing, isn't it?
3) There are 3 types of cello attack modes mf, marcato and another, but they
seem to
responde at all at the same velocity values (0-127). How do I know what
sample logic
chooses when I play the part?
I'm shure that it's a reklativly simple task, but please help me to save a
little time.
TIA
Gianfrancesco
On Dec ,5, 2005, at 3:56 AM, gcala5 wrote:
> 1) How can I put a cross-fade between loop end and beginning? They are
> far away.
In the EXS edit window, right next to the "E" button you press to
open
the sample in the sample edit window, there is a box where you can
enter a cross-fade values. It's all numeric, there is no visual
representation of the cross-fade you are creating. You have to set it
by trial and error using your ears and the numbers.
> 2) It's all the time a destructive editing, isn't it?
No. The exact opposite. Altering loop points and setting cross-fade
values is completely non destructive.
> 3) There are 3 types of cello attack modes mf, marcato and another,
> but they seem to
> responde at all at the same velocity values (0-127). How do I know
> what sample logic
> chooses when I play the part?
Look at the "view" settings in the EXS edit window for that
instrument.
There are different view modes that allow the selected zones to be
displayed underneath the keyboard icon and for them to jump to the top
of the zone and/or group list.
--------
Eli Krantzberg
http://www.nightshiftorchestra.com
Almat Productions
hi guys i am wondering how well scrupture can create realistic instrument
sort of lookin for a dobro guitar sound with the slides and all....i have
yet to hear any good samples of this instrument...can anyone assist or
direct....slowly moving inot the pop country vein and would alos love to
hear any songs anyone has made in this vein using logic and its factory
sounds...thank u
--- In exs-users@yahoogroups.com, "Sascha Franck"
<S.Franck@g...> wrote:
>
> Pete Thomas wrote:
> > I have a few saxophones available, most in demo form at the moment
but
> > hoping to release them as full versions soon
>
> They're quite nice, btw. Allways wanted to say thank you but forgot.
>
> However, as a package, Garritan Jazz seems to be quite good.
> Just recently I've been lucky (err...) enough to purchase some
left-over "Kick Arse Brass"
CD for the EXS (they're now only shipping
> with a specialized but lousy playback engine), and even if I got it
rather cheap I'm not
impressed. Not a single "allround" section
> patch and only single instruments, so if you want to double your leads
with, say,
another trumpet, you got no choice. And it even
> becomes apparent if you do, say, a 3 part trumpet section that all the
instruments are
the same. From what I seem to understand,
> Garritan has made it just as with GPO, so there's multiple variations
of individual
instruments available.
> Just listen to the demos, there's not much yet, but they're not all
that bad IMO. Should
work rather fine for background section
> stuff and the occasional stabs. Not too sure about solo stuff when it
comes to them
horns - but honestly, who would do a programmed
> sax solo on anything meant to be serious? I certainly wouldn't.
>
> - Sascha
>
Depends on how it has been scored, i.e. the knowledge status of a particular
instrument,
how about a Coltrane year?
On 09.12.2005, at 14:17, forums@logic-users.org wrote:
> hi guys i am wondering how well scrupture can create realistic
> instrument
> sort of lookin for a dobro guitar sound with the slides and all...
It can't. Sculpture does not imitate natural instruments. It
"constructs" sounds by mathematical calculations based on physical
properties. Although Sulpture can produce the sound of several
natural string instruments to some degree it is rather built to
construct synthetic or impossible instruments like a glass cylinder
plucked by a feather.
Maybe you can imitate the sound of one Dobro string within a small
fret range (if you get the parameters right) but you cannot expect to
hear any typical playing technique. I think bending Sculpture
"back"
to produce natural sounds is, though possible, against its destination.
> i have
> yet to hear any good samples of this instrument
I don't know of Dobro samples but I am pretty sure you will find some.
If simple samples are not enough for you you might try RealGuitar.
Maybe you can filter it somehow to get a Dobro-like sound, assuming
that the playing style is authentic. Real Guitar has alternating
samples and three types of noises (fret, release, body). You need a
mid-size keyboard for that software.
If RealGuitar basically fits and you play it in solo mode you could
try to support the sound with metallic settings from Sculpture. Btw,
it would not do any harm to the musical scene if you get a Dobro
sound nobody else has :-)
___
Peter Ostry
At 7:17 Uhr -0600 09.12.2005, forums@logic-users.org wrote:
>hi guys i am wondering how well scrupture can create realistic
instrument
>sort of lookin for a dobro guitar sound with the slides and all....i
have
>yet to hear any good samples of this instrument...can anyone assist or
There is a sample library out there called "American Heartland"
that
has the best Dobro sounds I have heard. Still it's like with any
sample library: it's nowhere close to what a player does.
Cheers
Hans
Hans wrote:
>> hi guys i am wondering how well scrupture can create realistic
>> instrument
>> sort of lookin for a dobro guitar sound with the slides and
>> all....i have
>> yet to hear any good samples of this instrument...can anyone
>> assist or
>
> There is a sample library out there called "American
Heartland" that
> has the best Dobro sounds I have heard. Still it's like with any
> sample library: it's nowhere close to what a player does.
Is that the Larry Campbell sample collection? He's an outstanding
player (and a lovely guy) and I'm sure he would have done a great
job. But the problem with dobro, slide, and, especially, pedal steel
is that the standard keyboard/sampler setup is an incredibly awkward
interface to reproduce what these instruments can do. I think it
will take a rethinking along the lines of realguitar to make anything
that sounds even vaguely realistic. Any developers out there up for
the challenge?
Best Wishes,
Michael A. Levine
www.MichaelLevineMusic.com
I have not loaded my Logic 7 yet into my MAC, as I am waiting on my
DM3200 which is back ordered. In the commercial studio that I used to
own and operate, I ran Logic 6 and had the original EXS24. My tech
converted my AKAI Samples so theycould be used in Logic 6 and played
with the EXS 24. So my question is, will I be able to play my AKAI
Sample library and my Giga Studio Libray in the EXS24 MKII that comes
with Logic 7?
On 11 Dec 2005, at 20:20, Michael Knox wrote:
> I have not loaded my Logic 7 yet into my MAC, as I am waiting on my
> DM3200 which is back ordered. In the commercial studio that I used to
> own and operate, I ran Logic 6 and had the original EXS24. My tech
> converted my AKAI Samples so theycould be used in Logic 6 and played
> with the EXS 24. So my question is, will I be able to play my AKAI
> Sample library and my Giga Studio Libray in the EXS24 MKII that comes
> with Logic 7?
Hi, EXS24 changed to the MKII moniker at version 5.something (please
correct me if I'm wrong). In reality there should be absolutely no
difference between the 6.x version and the 7.x version. the only
thing that has changed (from memory) is the ability to rubber band
stuff. Short answer.. No difference. Mike
> > I have not loaded my Logic 7 yet into my MAC, as I am waiting on
my
> > DM3200 which is back ordered. In the commercial studio that I used
to
> > own and operate, I ran Logic 6 and had the original EXS24. My tech
> > converted my AKAI Samples so theycould be used in Logic 6 and
played
> > with the EXS 24. So my question is, will I be able to play my AKAI
> > Sample library and my Giga Studio Libray in the EXS24 MKII that
comes
> > with Logic 7?
>
> Hi, EXS24 changed to the MKII moniker at version 5.something (please
> correct me if I'm wrong). In reality there should be absolutely no
> difference between the 6.x version and the 7.x version. the only
> thing that has changed (from memory) is the ability to rubber band
> stuff. Short answer.. No difference. Mike
... use convert option to convert AKAI
Andreas wrote:
> I found one parameter in the group box in the editor view that don't
> understand:
>
> The 'select by' parameter has several options: note, group, ctrl, pb
>
> I have alredy found out what the options note, group and pb do. (that
> wasn't too difficult to find out ;-))
> but how is the group option meant to be used? Thanks!
This is actually very cool
If you have two groups, set one of them to "select by group" then
"start" in the box just to the right of this
Set the other group to "select by group", and choose the first
group in
the next box.
The groups will now play alternately.
--
Pete Thomas
www.petethomas.co.uk
- Free Logic Icons, Environments and EXS Instruments
On 9 dec 2005, at 14.17, forums@logic-users.org wrote:
> Message posted by barry james <b10175@yahoo.com>
> ______________________________________________________________________
[snip]
> lookin for a dobro guitar sound with the slides and all....i have
> yet to hear any good samples of this instrument...can anyone assist or
> direct....slowly moving inot the pop country vein and would alos
> love to
> hear any songs anyone has made in this vein using logic and its
> factory
> sounds...thank u
[snip]
I don't know about the quality because I don't have the "real
thing" (neither IRL or in software) but USB have at least one Dobro
patch their Plugsound Vol.2 instrument. See
http://www.ultimatesoundbank.com/usb/exec/plugsound2
You can download and hear a "light" version of it their free
plugin
"Plugsound Free" from another location on their website (the one
I
have used).
Cheers,
Orc
I have recently downloaded Express 7 on my MAC G4 10.3.9 and hardly any
samples cannot be found anywhere in the sampler instument folder. So I
downloaded a few exs and wav samples from the web, only to find the EXSP24
doesn't load them. I can see where the exs or wav samples are located, but
they are greyed out and the permissions are fine. Can anyone pinpoint what
is wrong here when i load these sample files for EXSP24, ESE, and ESP
players, but doesn't recognise any of these samples ?
Also, how to I convert OS9 fxb's for Express AU technology ? translator ?
cheers
Hi,
I finally finished my EXS24 Logic 7 sample library called Piano Attack.
Demo's are at www.pianoattack.com
The unexpected sounds from the inside: phrases, loops, beats, bangs, zings,
the whole shebang.
The Logic 7, EXS24/ Kontakt 2 multi format DVD-rom consists of:
- 210 EXS24 patches
- 411 Logic 7 channelstrip presets
- BPM patches (40-310 bpm)
- 274 Kontakt 2 (monolith) patches
- 157 REX files
cheers,
Renger
These retailers look like they might have a useable product of hip hop
drums. I say this because the price is so high. Has anyone got the
complete banginbeats 'no excuses' drum collection or the complete
modernbeats/mpcsounds 'original gangsta and street platinum' drum
collections?
Give me a review before I spend the cash.
Thanks,
Roman Pirie.
At 12:31 pm +1300 2005.12.20, Roman Pirie wrote:
>These retailers look like they might have a useable product of hip hop
>drums. I say this because the price is so high. Has anyone got the
>complete banginbeats 'no excuses' drum collection or the complete
>modernbeats/mpcsounds 'original gangsta and street platinum' drum
>collections?
>Give me a review before I spend the cash.
I've purchased a couple of kits from ModernBeats. Originally, I had
to spring for their Vintage Drums collection, which is very good.
Since then, I've tried a couple of their Hip-Hop kits and they are
decent.
The ordering process is slightly annoying for Mac users. Apparently,
they have some ultra-paranoid Windows based system, and first-time
Mac customers have to call in. Return Mac customers still need to
wait for a special download link via email the next day (no late
night download-able inspirations for you). But it works.
My only usability complaint is that they provide completed kits for
several samplers (Battery, EXS24, etc.), good good, but the
individual sounds are given cryptic names so it's hard to cherry-pick
and build your own.
G
Can you give me a url for the site that sells these sounds? Thanks.
-Mark
At 9:39 pm -0500 2005.12.19, Mark Falchook wrote:
>Can you give me a url for the site that sells these sounds? Thanks.
http://www.modernbeats.com/
When in doubt, just add .com to the company name. :)
G
Problem:
I created a file in ReCycle to load into Logic via the EXS 24II using the
Recycle Convert -> Extract MIDI Region And Make New Instrument function
within the EXS' Edit page. I get this strange message when I try to load
this REX2 file:
"The REX2 file was created by a later version of ReCycle and connot be
loaded with this version of the REX shared library. Please update the REX
shared library, then try again."
What is odd is that I worked in this same set-up yesterday. I also created a
few REX2 files in ReCycle and they all loaded just fine using the same
process. I am not doing anything differently at all and I have not updated
or changed any of the software. I only use this computer for Logic + music
... It's not even on the internet.
Also, yesterday's REX2 files will drag into an Audio track/channel in the
arrange window and play just fine ... The one I created today will not. (I
created a second version of the same sound and file in ReCycle with the same
results)
Here's what I'm using:
ReCycle 2.1 build 229
Logic Pro 7.1.1
I'm on a G4, dual 1.25 GB
OSX 10.4.2
Lots of RAM, and the track I'm working on is in its infancy so not a lot of
CPU usage yet at all (and yes, yesterday's REX2 files were used in the same
track)
Any help is appreciated. I'm at a standstill here until I figure this one
out.
Thanks in advance ...
M
Hi,
I just received my Flossmode Studios sample discs of the Triton,
MOTIF ES, and the Fantom X! These sounds are amazing! I've tried
them with the EXS24 in Logic Pro 7 but it seems I have to adjust
the release on some of them. However, when I converted them for
Machfive the release times were better and actually easier for me
to edit since I'm more familiar with it. However, can anyone help
with info on shortning release times with the EXS24?
Did you get the 'next level' versions or 'unleashed'? 'Next level' is
multi sampled and 'Unleashed' is just middle C sampled.
I am curious how well these products work compared to the original
keyboard. I realise that they are not looped. So a long sustained note
is not possible like on the original keyboards. How long are the notes?
Are the shorter percussive sounds like say a mute guitar sampled
shorter. I just imagine the sampling may have been automated at a
certain length. Are the drum samples edited. Some sample CDs have many
seconds of silence after each drum. IOW the ends are not edited.
I am planning on purchasing some flossmode sounds. If we trade then we
could halve the expense.
I am specifically waiting on a drums only collection which I have
requested and have been assured will be available soon. It will have
all the drums of all the flossmode products. But if I buy a couple of
products like Mo Phatt etc then we could have the full products anyway
by sharing.
How much hard drive space does each product use?
I am also a Logic 7, exs24 user. These products certainly seem exciting
if they can provide the sounds of these flagship keyboards. What other
comments can you offer me in way of a review of the sounds. How well do
the patches perform? What is the sound quality like? I would assume for
products these organised they would have a nice sound card and know
about good levels etc.
I see the Fantom X is only available as 'unleashed' this means the
sounds are just one sample, middle C. I would assume these to be
unuseable.
Holla back,
Roman Pirie.
On 25/12/2005, at 1:24 AM, guitar01_2001 wrote:
> Hi,
> I just received my Flossmode Studios sample discs of the Triton,
> MOTIF ES, and the Fantom X! These sounds are amazing! I've tried
> them with the EXS24 in Logic Pro 7 but it seems I have to adjust
> the release on some of them. However, when I converted them for
> Machfive the release times were better and actually easier for me
> to edit since I'm more familiar with it. However, can anyone help
> with info on shortning release times with the EXS24?
>
>
>
>
>
> _______________________________________________________________________
> _
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> - Search the entire archive: http://logic-users.org/forums/EXS/search
> Yahoo! Groups Links
>
>
>
>
>
>
hi all!
i'm experiencing this: when i want to save a newly created exs instrument it
takes some minutes! even if there is no sample at all in the instrument or
just a very small one. i'm sure there is something not working here, it
can't be like this!
my system: dual g5 2.7 - osx 10.4.3 - 3,5 gb ram - 2x 250 gb hd - logic
7.1.1
any hint? thanx a lot for any help... i've really no idea, the rest seems to
work perfectly.
merry christmas ;-)
Hi everyone
Yahoo have made this announcement:
>Outage Advisories
>Yahoo! Groups will be performing critical database maintenance on
>Tuesday night, December 27th from 9:00 pm - 2:00 am Wednesday
>(California time). During that time 25% of groups will be offline.
>Messages sent to affected groups during that time will be queued and
>delivered once the groups are back online.
kind regards, and happy holidays
Mark - LUG Admin
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