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At 09:13 AM 3/25/2005 -0600, you wrote:
> > At 07:39 AM 1/27/2005 -0800, you wrote:
> > > Dan sent me some .art update files with sustained loops, but
of
> > > course EXS can't do anything with those. I don't believe
Translator
> > > or CDXtract can convert .art files to EXS, either.
>
>On Jan 27, 2005, at 11:18 AM, Garth Hjelte wrote:
> > Translator on Windows does. An .art file is essentially all new
> > Instrument information without the samples.
>
>Hi Garth, Is this feature going to be available for Mac in the future?
>julie
>www.julielarson.net
As an Easter present I'll put it in today; I'll email to say when it's up.
(And no, there will be no Easter egg in the program - at least one we'd
tell you about =))
Garth Hjelte
Sampler User
Hi Garth,
That's terrific... thanks! You're a gentleman and a scholar.
best,
julie
Hi folks,
a general problem, but an EXS issue anyway...
Exporting song data as an .aiff to disc, the name of the file is not
recognized,
the file is named "Audio-Track001.aif", consecutive files are
ignored...
Is this an OS X bug or a missunderstanding?
At 10:48 AM 03/25/2005, you wrote:
>As an Easter present I'll put it in today; I'll email to say when it's
up.
Did this updated get posted? I'm very interested in this as well.
Hi,
I'm considering making my first purchase of EXS-24 format CDs of acoustic
samples. For those who have gone there already, I have a couple of
questions....
1. Can I expect that the samples in sample CDs like, say, the ProSamples
series (which lists 5-7 formats, including EXS-24), will come with EXS-24
instruments already configured? Or will I have to fumble with the zones
myself?
http://www.soundsonline.com/sophtml/details.phtml?sku=PS31
2. I'm finding the ProSamples advertising relatively persuasive, and am
considering getting their 'Rare Ethnic Vol 31' and 'Orchestral Brass Vol
20'. If anyone has these or others in the series and can offer comments, or
can point me at other good sample CDs of acoustic instruments that they've
used, I'd appreciate it.
thanks
steven rowat
Hi Steven,
My experience with the ProSamples sample sets has been great - I own
8 or 9 sets and have also purchased several of the full sample sets
from which the ProSamples line is derived. They are always top
quality and I have never had any compatibility issues. Follow the
instructions for loading the files and you will be good to go! The
offerings in the ProSamples line are choice excerpts taken from full
sample sets put out by East/West and others. I'm pretty sure you
will be very happy with anything you purchase in the ProSamples line.
Good luck! John F.
Hi
Has anyone contacted Michiel about the stereo image problems with the
Old Lady?
I would imagine quite a few list members have it.
I am keen to know what he is doing about it, but he has not replied to
my last email so...
Tom,
You need to be persistent about it PUBLICLY (not in a personal message), at
Northern Sounds at this url:
http://www.northernsounds.com/forum/forumdisplay.php?f
That's the only place that you're going to get the attention you need. If
you can't get assistance there, you're out of luck.
-m
> Has anyone contacted Michiel about the stereo image problems with the
> Old Lady?
> I would imagine quite a few list members have it.
> I am keen to know what he is doing about it, but he has not replied to
> my last email so...
I am wondering how to use the sampler in multichannel mode. I assume it's
the best way
to set up drum kits in the sample. It would be nicer for different parts, ie
snare, bass, hats
etc to come out on different channels to independantly control.
BTW am new to the list so be easy on me ;)
Thanx people
custa_1200 wrote:
>
>
> I am wondering how to use the sampler in multichannel mode. I assume
it's the best way
> to set up drum kits in the sample. It would be nicer for different
parts, ie snare, bass, hats
> etc to come out on different channels to independantly control.
>
> BTW am new to the list so be easy on me ;)
>
> Thanx people
>
1. Set the Multi EXS up on a track.
2. In the EXS editor, do your routing to the EXS's multiple outputs for
your sample patch..
3. In the Environment window, create AUX tracks for all of the EXS
inputs you will be using.
4. On each Aux track, you have a box to select its input. You will see
in the menu Instrument # (whichever track the EXS is on) and this should
then have a list like EXS 1, EXS 2, EXS 3, etc.. Just assign em as you
set em up in the editor youre good to go..
Hope that wasnt too confusing its still early hehe.
--
Chris
http://www.descentrecords.com
Dear fellow exs24 users,
I have a problem which I will explain in this example:
Lets say i have a bassdrum (zone 1) and a snare (zone 2) in one instrument.
and i would like to have a reverb over the snare. then how do I set that up?
I've tried to send zone 2 to output 3-4 and not the main ouput. but
nothing happens. And if i send it to output 3-4 where does it go? If
anyone can help me with this problem. You would make me a happy man.
I use logic 6 by the way.
thanks. Ge
Gé Driessen wrote:
>
> Dear fellow exs24 users,
>
> I have a problem which I will explain in this example:
>
> Lets say i have a bassdrum (zone 1) and a snare (zone 2) in one
instrument.
> and i would like to have a reverb over the snare. then how do I set
that up?
>
> I've tried to send zone 2 to output 3-4 and not the main ouput. but
> nothing happens. And if i send it to output 3-4 where does it go? If
> anyone can help me with this problem. You would make me a happy man.
>
> I use logic 6 by the way.
>
> thanks. Ge
>
(See previous post about setting up the EXS as a multi-channel
instrument that I just sent this morning)..
--
Chris
http://www.descentrecords.com
sorry, didn't see
thanks
Is there an easy way to assign a controller like Mod
wheel to a filter in EXS? Or how to do it properly? Do
I need to assign a controller number & whats the
controller number for Pitch Bend & Mod Wheel?
Thanks
LB
> Is there an easy way to assign a controller like Mod
> wheel to a filter in EXS? Or how to do it properly? Do
> I need to assign a controller number & whats the
> controller number for Pitch Bend & Mod Wheel?
In the modulation router (bottom of the EXS), assign "Dest" to
Filter Cutoff, then select "Ctrl #1" (which would be your
ModWheel)
in the "Src" pulldown and drag the slider right from them up/down,
depending on whether you want positive or negative cutoff
modulations (middle position is allways equivalent to the actual cutoff
button setting).
- Sascha
HI i just discovered amazing vintage sound resource at hollow sun - but it
could take
forever to catalog the akai samples and convert it all to exs format. I had
heard someone
has an exs resource made from th hollow sun samples.
does anyone know of this link, or site, or if it exists?
> HI i just discovered amazing vintage sound resource at hollow sun - but
it
> could take
> forever to catalog the akai samples and convert it all to exs format. I
had
> heard someone
> has an exs resource made from th hollow sun samples.
> does anyone know of this link, or site, or if it exists?
Hi - I'm Steve from Hollow Sun.
You can buy a CD from the site and get the Vintage Collection bundled free.
It uses Chicken Systems' Multi-Format Installer that will allow you to
install the collection in EXS format. These haven't been crudely batch
processed but hand tweaked for EXS by fellow list member and all-round good
guy (and EXS luminary) Sascha Frank.
See: http://www.hollowsun.com/cds/index.html
Best regards,
Steve
http://www.hollowsun.com
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Awhile back I was looking for dulcimer and cimbalon sounds and I came across
this site
http://www.boldersounds.com/sow.asp
I found what I was looking for but unfortunately only as a Kontackt file. I
have since
ordered Kontackt but I also got in touch with Dennis Burns (who runs Bolder
sounds) and
asked if he had any plans to make any exs patches.
He just got in touch with me telling me that he has exs patches now too. I
bought the
library earlier and have started using with Kontackt, and now with the exs,
and I am very
happy with it. There are also some great free sounds on his site. I took
some of the loops
he had posted, renamed them Laundry Loops, and converted them to Apple
Loops. It's a
good site and Dennis is a great guy to deal with.
Ok I know this sounds a bit spammish but if you are looking for some good
free sounds as
well as a killer Cimbalon & Dulcimer samples check out his site.
I also found another site that has some free Zither sounds (among a host of
others)
http://www.herman-witkam.com/raw
I've talked to Herman and he's a great lad too!
>Awhile back I was looking for dulcimer and cimbalon sounds and I
>came across this site
>
>http://www.boldersounds.com/sow.asp
>
>I found what I was looking for but unfortunately only as a Kontackt
file.
<snip>
First, thanks for that link.
Second, you should look at CDXtract. It's a very useful app which
does conversion between different formats, and can convert Kontakt
patches to EXS24.
Very useful when your desired format does NOT exist....
Regards - Colin
I haven't been reading this list for a week, but the two best ones
I've heard are Post Bösendorfer and Ivory. All three pianos in Ivory
are miked fairly closely, so they're good for a "pop" sound, and
the
way they're mapped to the keyboard is outstanding - very playable.
The Bos is recorded from two positions, but both are fairly ambient;
it's just outstanding for a concert sound, and it blends well with
sampled orchestra. It's also softer. I bought it after hearing a
demo, and I don't regret it.
These two really raise the bar above other sampled pianos I've heard;
for years the one in the Kurzweil K250 piano (which was done by Joe
Ierardi, the same guy who did Ivory) was my favorite. But I haven't
heard SampleTek's White or Black Grands, and Art Vista is coming out
with a new piano soon that sounds great - I got to play with a very
early demo version a few months ago, and it has a lot of charm.
There is no "best" piano, since they all sound different. Each one
can sound very wrong or very right, depending on the context.
--
Nick Batzdorf - editor
Virtual Instruments magazine
(the world of softsynths and samplers)
www.Virtualinstrumentsmag.com
1-877 VImagzn (846-2496), 818/905-9101, cell 590-9101
--- Nick Batzdorf <recording@...> wrote:
> I haven't been reading this list for a week, but the
> two best ones
> I've heard are Post B?endorfer and Ivory. All three
> pianos in Ivory
> are miked fairly closely, so they're good for a
> "pop" sound, and the
> way they're mapped to the keyboard is outstanding -
> very playable.
>
> The Bos is recorded from two positions, but both are
> fairly ambient;
> it's just outstanding for a concert sound, and it
> blends well with
> sampled orchestra. It's also softer. I bought it
> after hearing a
> demo, and I don't regret it.
>
> These two really raise the bar above other sampled
> pianos I've heard;
> for years the one in the Kurzweil K250 piano (which
> was done by Joe
> Ierardi, the same guy who did Ivory) was my
> favorite. But I haven't
> heard SampleTek's White or Black Grands, and Art
> Vista is coming out
> with a new piano soon that sounds great - I got to
> play with a very
> early demo version a few months ago, and it has a
> lot of charm.
>
> There is no "best" piano, since they all sound
> different. Each one
> can sound very wrong or very right, depending on the
> context.
> --
This was very helpful.
Yes sometimes you wanna upright piano sound, instead
of grand... what kind room/micing... i.e. classical
concert sounding piano or close miced jazz or pop
piano. Every genre has different preferred sounds.I
will check Post bendorfer as well as ivory.
thank you
At 12:54 AM 04/03/2005, you wrote:
>Yes sometimes you wanna upright piano sound, instead
>of grand... what kind room/micing... i.e. classical
>concert sounding piano or close miced jazz or pop
>piano. Every genre has different preferred sounds.I
>will check Post bendorfer as well as ivory.
>thank you
I haven't tried Ivory, but I agree with Nick about the Post Bosey.
Beautiful sample in a variety of settings. I also like the White Grand a
lot, as it's bright and dry and works better in a pop or rock setting. The
Vintaudio C7 is also very versatile with three recording perspectives, and
Vintaudio also has a very nice upright. The last piano I have is the Art
Vista Malmsjo---a must-have for all us Thomas Newman fans.
-----Ursprüngliche Nachricht (HTML) wurde als Anlage
beigefügt.-----
Von: exs-users@yahoogroups.com
Gesendet: 03.04.05 02:39:23
An: "Harald Schneller" <HaraldSchneller@...>
Betreff: Re: [EXS] Bolder Sounds
Anyway, some day you'll have to decide what you are, a consumer or a
producer...
Did you laugh about Pete's water game as I did?
Serious, take what you've got within Logic 7, EXS24MkII, salute to the
moderator,
and become productive,
it's all in your mind, now go find it
______________________________________________________________
Verschicken Sie romantische, coole und witzige Bilder per SMS!
Jetzt bei WEB.DE FreeMail: http://f.web.de/?mc=021193
--- In exs-users@yahoogroups.com, Colin Shapiro <musos@i...> wrote:
>
> First, thanks for that link.
> Second, you should look at CDXtract. It's a very useful app which
> does conversion between different formats, and can convert Kontakt
> patches to EXS24.
>
> Very useful when your desired format does NOT exist....
>
> Regards - Colin
Regards back Colin.
Yah I have heard of CDXtract (can't be a member here and not hear about it
eventually) but
until now I have never had a need for it. Usually if there is a sound I need
I can either get it
as an exs file or as a wav file and program it myself. This time I thought
I'd ask the sample
store (Bolder) as I was on a job and needed it quickly (and there aren't a
lot of Cimbalon
samples out there). CD extract would have come in handy, but as I had
already planned to
buy Kontackt 2 anyway (for a whole lotta reasons) I decided to do it sooner
than later. The
post I made about Bolder was more about letting people know about them now
having exs
patches than anything else.
Still, I will seriously think about getting CDXtract, in case it happens
again. It certainly
would be cheaper than buying a every sampler out there eh?
Cheers.
David
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